University Press Copublishing Division / Fairleigh Dickinson University Press
Pages: 208
•
Trim: 6⅜ x 9¼
978-1-68393-149-2 • Hardback • March 2018 • $100.00 • (£77.00)
978-1-68393-151-5 • Paperback • March 2020 • $41.99 • (£32.00)
978-1-68393-150-8 • eBook • March 2018 • $39.50 • (£30.00)
Annalisa Castaldo is associate professor of English at Widener University.
Rhonda Knight is professor of English at Coker College.
Acknowledgments
Preface: An Introduction and Primer to the American Shakespeare Center by Sarah Enloe
Introduction by Annalisa Castaldo and Rhonda Knight
Chapter 1: Whose Experiment is it Anyway?: Some Models for Practice-as-Research in Shakespeare Studies by Stephen Purcell
Chapter 2: Shakespeare’s Spirits: Staging the Supernatural on the Early Modern Stage by Jim Casey
Chapter 3: Staging Epilepsy in Othello by Sid Ray
Chapter 4: ’Sore hurt and bruised’: Visual Damage in Othello” by Catherine Loomis
Chapter 5: ’Heave Up!’: The ‘Wicked Weight’ of Shakespeare’s Antony and York’s Christ” by R. W. Jones
Chapter 6: Hiding in Plain Sight: Eavesdropping and the Physicality of the Stage by Annalisa Castaldo and Rhonda Knight
Chapter 6: The ‘Dead Body Problem’: The Dramaturgy of Coffins on the Renaissance Stage by Sarah Neville
Chapter 7: ’Cushion come forth’: Materializing Pregnancy on the Stuart Stage” by Sara B. T. Thiel
Chapter 8: Maternal Revision in Middleton’s More Dissemblers Besides Women by Amanda Zoch
Afterword: The Actors Speak
About the Contributors
Index