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Jane Austen and Masculinity

Edited by Michael Kramp - Contributions by Bryce Campbell; Natasha Duquette; Jan Fergus; Miriam Hart; Lisa Hopkins; Kit Kincade; Gayle Magee; Carol Siegel; Zack Snider; Jason Solinger; Enit K. Steiner; Joanne Wilkes; Megan Woodworth; R.A. White and Linda Zionkowski

Jane Austen and Masculinity is an eclectic collection of contemporary scholarship addressing the representation of men and masculinity in the fiction and popular adaptations of Austen. This anthology includes work by a variety of esteemed and emergent Austen scholars from around the world who engage in a dialogue on critical questions surrounding her fictional treatment of men and masculinity, such as historical (post-French Revolutionary) changes in social expectations for men and women, brothers and fathers, male lovers, soldiers and the military, queer and alternative sexualities, violence, and male devotees of Austen. The collection addresses Austen’s fiction, including her juvenilia, as well as the ongoing popular appeal of her work and the enduring Austen vogue. The work in this anthology builds on established critical discourses in Austen scholarship as well as important conversations in Masculinity Studies.
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  • Reviews
  • Reviews
University Press Copublishing Division / Bucknell University Press
Pages: 318 • Trim: 6½ x 9⅜
978-1-61148-866-1 • Hardback • December 2017 • $136.00 • (£105.00)
978-1-61148-867-8 • eBook • December 2017 • $129.00 • (£99.00)
Series: Transits: Literature, Thought & Culture, 1650–1850
Subjects: Literary Collections / European / English, Irish, Scottish, Welsh, Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Criticism / Modern / 18th Century
Michael Kramp is associate professor of English at Lehigh University.
Acknowledgements
List of Abbreviations
Introduction: Austen and Masculinity by Michael Kramp
Part I: Men, Domesticity, and the Family
Chapter 1: Sketches of Men’s Kvetches: Domestic Masculinities in Emma and Persuasion
by Jane Fergus
Chapter 2: Failures of the Patriarchy: Fathers as Role Models in Jane Austen by Kit Kincade
Chapter 3: The Paradox of Masculine Agency in Jane Austen’s Early Works by Joanne Wilkes
Part 11: Masculinity, Honor, and Feeling
Chapter 4: ’I could meet him in no other way’: Dueling, the Culture of Honor, and Modern Masculinity in Sense and Sensibilityby Megan Woodworth
Chapter 5: The Sensibility of Captain Benwick in Literary and Historical Context by Natasha Duquette
Chapter 6: ’Till he began to stagger her’: Melancholia and Literary Men by Enit K. Steiner
Part III: Male Sexualities and Desires
Chapter 7: Empire of the Sensible: Disciplining Love and the 1990’s Austen Craze by Carol Siegel and Bryce Campbell
Chapter 8: Austen’s Dandies: Frank Churchill and Henry Crawford Play Dress Up by Zachary Snider
Part IV: The Men of Austen’s Afterlives
Chapter 9: Waltzing with Wellington, Biting with Byron: Heroes in Austen’s Tribute Texts by Lisa Hopkins
Chapter 10: ‘What a man should be’: (Re-)Imaginign Austenian Masculinity in Film and YouTube Fanvids by R.A. White
Chapter 11: Virginia Woolf & the Gentlemen Janeites, or the Origins of Modern Austen Criticism, 1870-1929 by Jason Solinger
Part V: Film Music and Masculinity
Chapter 12: Performing to Strangers: Masculinity, Adaptation, and Music in Pride and Prejudiceby Gayle Magee
Chapter 13: Austen, Music, and Manhood by Linda Zionkowski and Miriam Hart
Bibliography
Index
About the Contributors
Kramp’s introduction to this new book provides a comprehensive, helpful overview both of the emergence of masculinity studies as a field and also of existing scholarship on Austen’s depictions of men.
— European Romantic Review


The essays brought together here provide a suitably kaleidoscopic view of maleness, both in Austen’s own works and in the reformulations and extensions of those works critically, cinematically, and fictionally. . . . As a whole. . . this book provides thoughtful variety in its views of men and masculinity associated with Austen’s novels, all the richer for its broader considerations of contexts and aftereffects of Austen’s men.
— Eighteenth Century Intelligencer


Jane Austen and Masculinity

Cover Image
Hardback
eBook
Summary
Summary
  • Jane Austen and Masculinity is an eclectic collection of contemporary scholarship addressing the representation of men and masculinity in the fiction and popular adaptations of Austen. This anthology includes work by a variety of esteemed and emergent Austen scholars from around the world who engage in a dialogue on critical questions surrounding her fictional treatment of men and masculinity, such as historical (post-French Revolutionary) changes in social expectations for men and women, brothers and fathers, male lovers, soldiers and the military, queer and alternative sexualities, violence, and male devotees of Austen. The collection addresses Austen’s fiction, including her juvenilia, as well as the ongoing popular appeal of her work and the enduring Austen vogue. The work in this anthology builds on established critical discourses in Austen scholarship as well as important conversations in Masculinity Studies.
Details
Details
  • University Press Copublishing Division / Bucknell University Press
    Pages: 318 • Trim: 6½ x 9⅜
    978-1-61148-866-1 • Hardback • December 2017 • $136.00 • (£105.00)
    978-1-61148-867-8 • eBook • December 2017 • $129.00 • (£99.00)
    Series: Transits: Literature, Thought & Culture, 1650–1850
    Subjects: Literary Collections / European / English, Irish, Scottish, Welsh, Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Criticism / Modern / 18th Century
Author
Author
  • Michael Kramp is associate professor of English at Lehigh University.
Table of Contents
Table of Contents
  • Acknowledgements
    List of Abbreviations
    Introduction: Austen and Masculinity by Michael Kramp
    Part I: Men, Domesticity, and the Family
    Chapter 1: Sketches of Men’s Kvetches: Domestic Masculinities in Emma and Persuasion
    by Jane Fergus
    Chapter 2: Failures of the Patriarchy: Fathers as Role Models in Jane Austen by Kit Kincade
    Chapter 3: The Paradox of Masculine Agency in Jane Austen’s Early Works by Joanne Wilkes
    Part 11: Masculinity, Honor, and Feeling
    Chapter 4: ’I could meet him in no other way’: Dueling, the Culture of Honor, and Modern Masculinity in Sense and Sensibilityby Megan Woodworth
    Chapter 5: The Sensibility of Captain Benwick in Literary and Historical Context by Natasha Duquette
    Chapter 6: ’Till he began to stagger her’: Melancholia and Literary Men by Enit K. Steiner
    Part III: Male Sexualities and Desires
    Chapter 7: Empire of the Sensible: Disciplining Love and the 1990’s Austen Craze by Carol Siegel and Bryce Campbell
    Chapter 8: Austen’s Dandies: Frank Churchill and Henry Crawford Play Dress Up by Zachary Snider
    Part IV: The Men of Austen’s Afterlives
    Chapter 9: Waltzing with Wellington, Biting with Byron: Heroes in Austen’s Tribute Texts by Lisa Hopkins
    Chapter 10: ‘What a man should be’: (Re-)Imaginign Austenian Masculinity in Film and YouTube Fanvids by R.A. White
    Chapter 11: Virginia Woolf & the Gentlemen Janeites, or the Origins of Modern Austen Criticism, 1870-1929 by Jason Solinger
    Part V: Film Music and Masculinity
    Chapter 12: Performing to Strangers: Masculinity, Adaptation, and Music in Pride and Prejudiceby Gayle Magee
    Chapter 13: Austen, Music, and Manhood by Linda Zionkowski and Miriam Hart
    Bibliography
    Index
    About the Contributors
Reviews
Reviews
  • Kramp’s introduction to this new book provides a comprehensive, helpful overview both of the emergence of masculinity studies as a field and also of existing scholarship on Austen’s depictions of men.
    — European Romantic Review


    The essays brought together here provide a suitably kaleidoscopic view of maleness, both in Austen’s own works and in the reformulations and extensions of those works critically, cinematically, and fictionally. . . . As a whole. . . this book provides thoughtful variety in its views of men and masculinity associated with Austen’s novels, all the richer for its broader considerations of contexts and aftereffects of Austen’s men.
    — Eighteenth Century Intelligencer


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