Scarecrow Press / Musc Library Association
Pages: 182
Trim: 6 x 9
978-0-8108-5871-8 • Paperback • October 2006 • $77.00 • (£59.00)
978-1-4616-5594-7 • eBook • October 2006 • $73.00 • (£56.00)
Russ Girsberger is the performance librarian at The Juilliard School in New York City, and the author of A Practical Guide to Percussion Terminology (1998), and Percussion Assignments for Band and Wind Ensemble (2004).
Part 1 Acknowledgments
Part 2 Introduction
Chapter 3 1 What is a Performance Librarian?
Chapter 4 2 Acquisitions
Chapter 5 3 Cataloging
Chapter 6 4 Processing
Chapter 7 5 Part Preparation
Chapter 8 6 Distribution
Chapter 9 7 Other Duties and Challenges
Part 10 Appendix: Forms, Categories, and Supplies
Part 11 Glossary
Part 12 Bibliography
Part 13 Index
Part 14 About the Author
The author's approach is practical, and advice is presented in a straightforward, readable manner....Its chapter-by-chapter arrangement, with references categorized according to type of information, makes it very easy to identify works on a specific topic or function. A good, detailed index is provided. This book has a methodical approach, logical arrangement and it well-illustrated with examples and diagrams. It sets out clear, practical guidance for the operation of a performance library. I highly recommend it to music librarians, and as an example of a clear, well-presented manual.
— February 2008; Australian Library Journal
This manual belongs in all ensemble libraries, and music libraries serving performers.
— American Reference Books Annual
...excellent....Highly recommended...
— Library Journal
Technical descriptions and definitions are helpful for anyone new to this field.... Thoroughly detailed and full of excellent practical adivce and examples, A Manual for the Performance Library is an essential book for performance librarians and conductors, as well as an informative read for scholars, composers, and performers.
— Melissa U. D. Goldsmith; Fontes Artis Musicae
Performance librarian at The Julliard School in New York City, Girsberger offers guidance to librarians, musicians, volunteers, and students in operating a library for their organization. Such libraries are repository and distribution centers for music scores and parts. He outlines the basic principles and practices for acquiring, processing, preparing, and distributing music to performers; and for organizing, cataloging, caring for, and preserving the library's holdings.
— Reference and Research Book News