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Reframing Trauma in Contemporary Fiction Film

Tarja Laine

In Reframing Trauma in Contemporary Fiction Film, Tarja Laine provides insights into how cinema engages its spectator emotionally with the pathology of memory that lies at the heart of trauma. By arguing that cinema communicates the inability to process a traumatic event by means of its aesthetic specificity, Laine demonstrates that traumatic cinema can be an important source of ethical knowledge, both within and beyond the cinematic world. The films discussed in this book do not necessarily narrate trauma but embody that aspect of trauma which resists narrativization. This is why there are modes of affective engagement beyond storytelling by which spectators can meaningfully relate to trauma. Scholars of film studies, media studies, and philosophy will find this book of particular interest.

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Lexington Books
Pages: 228 • Trim: 6¼ x 9½
978-1-7936-5194-5 • Hardback • July 2023 • $100.00 • (£77.00)
978-1-7936-5195-2 • eBook • July 2023 • $45.00 • (£35.00)
Subjects: Performing Arts / Film / History & Criticism, Philosophy / Social, Social Science / Media Studies

Tarja Laine is assistant professor of film studies at the University of Amsterdam and adjunct professor at the University of Turku.

Acknowledgments

List of Figures

Chapter 1: Introduction

Chapter 2: Ghosts and Ghouls: The Haunting Memory of Trauma

Chapter 3: Victims and Villains: Traumatic Grief and the Roads of Payback

Chapter 4: Lovers and Liars: Performing Trauma

Chapter 5: Pariahs and Parasites: The Dark Satire of Useless Passion

Chapter 6: Clones and Clowns: Traumatic Bodies in Dystopian Settings

Afterword

Bibliography

Filmography

About the Author

Reframing Trauma in Contemporary Fiction Film

Cover Image
Hardback
eBook
Summary
Summary
  • In Reframing Trauma in Contemporary Fiction Film, Tarja Laine provides insights into how cinema engages its spectator emotionally with the pathology of memory that lies at the heart of trauma. By arguing that cinema communicates the inability to process a traumatic event by means of its aesthetic specificity, Laine demonstrates that traumatic cinema can be an important source of ethical knowledge, both within and beyond the cinematic world. The films discussed in this book do not necessarily narrate trauma but embody that aspect of trauma which resists narrativization. This is why there are modes of affective engagement beyond storytelling by which spectators can meaningfully relate to trauma. Scholars of film studies, media studies, and philosophy will find this book of particular interest.

Details
Details
  • Lexington Books
    Pages: 228 • Trim: 6¼ x 9½
    978-1-7936-5194-5 • Hardback • July 2023 • $100.00 • (£77.00)
    978-1-7936-5195-2 • eBook • July 2023 • $45.00 • (£35.00)
    Subjects: Performing Arts / Film / History & Criticism, Philosophy / Social, Social Science / Media Studies
Author
Author
  • Tarja Laine is assistant professor of film studies at the University of Amsterdam and adjunct professor at the University of Turku.

Table of Contents
Table of Contents
  • Acknowledgments

    List of Figures

    Chapter 1: Introduction

    Chapter 2: Ghosts and Ghouls: The Haunting Memory of Trauma

    Chapter 3: Victims and Villains: Traumatic Grief and the Roads of Payback

    Chapter 4: Lovers and Liars: Performing Trauma

    Chapter 5: Pariahs and Parasites: The Dark Satire of Useless Passion

    Chapter 6: Clones and Clowns: Traumatic Bodies in Dystopian Settings

    Afterword

    Bibliography

    Filmography

    About the Author

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