Part I: Conceptualizations
Chapter One: A Conceptual Cartography of Inquiry, the Imagination, and their Interconnected Roles
Chapter Two: Dynamics of the Imagination
Chapter Three: The Imagination’s Elements: Motives, Abilities, Circumstances, Instruments, and Functions
Chapter Four: The Interactive Imagination
Part II: The Imagination: Philosophical And Practical
Chapter Five: The Philosophical Imagination
Chapter Six: Wonder, Reason, and the Imagination in Philosophical Inquiry Contrasted with Inquiry in Art, Literature, and Science
Chapter Seven: Inquiry and the Imagination’s Balancing Act
Chapter Eight: Basic Philosophical Attitudes and the Imagination
Part III: Comparative Assessments
Chapter Nine: Feedback Loops, Today's World, and the Practical Imagination
Chapter Ten: Analogies and Disanalogies between the Roles of the Imagination in Inquiries in Philosophy, the Arts, Sciences, Other Branches of Inquiry, and Everyday Life
Part IV: Applications and Tests of This Book’s Model
Chapter Eleven: Speech Acts, the Exercise of Logic, and the Imagination in Inquiry
Chapter Twelve: The Imagination, Humor, and a Sense of Humor
Chapter Thirteen: The Imagination, and the Mixed Gift of Vision in Individual and Social Life
Chapter Fourteen: Inquiry and The Imagination in Moral Decision Making
Part V: The Imagination, Current Developments, and Future Prospects in Art and the Digital World
Chapter Fifteen: Imagining Dance Mash-Ups: A Practice-based Inquiry
Alejandra Iannone
Chapter Sixteen: Expanding Youth Ballet Education with Web-hosted Video Post-COVID
Alejandra Iannone
Chapter Seventeen: The Imagination in Technology-Ethics: The Factual, the Virtual, and the Fictional: Imagination, Appreciation, and the Open-Ended Domain of Cultural Expressions in the Digital World
Chapter Eighteen: The Imagination in Technology-Aesthetics
Rocci Luppicini
Conclusion