Acknowledgments
Introduction: Becoming the Pearl-Poet, Jane Beal
Part I: Perceptions
Chapter One: The Dreamer’s Contemplative Experience of a Mappamundi in Pearl, Jane Beal
Chapter Two: Temperance and the Evolution of Concupiscible Vice in Cleanness, Corey Owen
Chapter Three: “Þay ar happen also þat con her hert stere”: Virtue and Nautical Metaphor in Patience, M. W. Brumit
Chapter Four: The Failure of Perfection in Sir Gawain and the Green Knight , Mickey Sweeney
Chapter Five: St. Erkenwald, Michael D.C. Drout, Jonathan B. Gerkin, and Scott Kleinman
Part II: Connections
Chapter Six: Authorship: What Does the Pearl-Poet Tell Us About Himself?, Ethan Campbell
Chapter Seven: Ecology in the Pearl-Poet, Elizabeth Allen
Chapter Eight: Material Culture of the Pearl-Poet, Jonathan Quick
Chapter Nine: Sartorial Adornment in the Pearl Poems, Kimberly Jack
Chapter Ten: Switching Shields in Sir Gawain and the Green Knight, Kristin Bovaird-Abbo
Chapter Eleven: The Pastoral Theology of the Pearl-Poet, Grace Hamman
Part III: Receptions
Chapter Twelve: The Illustrations in London, British Library, MS Cotton Nero A.x (part 2), Joel Fredell
Chapter Thirteen: The Northwest Midlands and the Ricardian Court, David K. Coley
Chapter Fourteen: Religious Contexts for the Pearl-Poet, Nancy Ciccione
Chapter Fifteen: Translations and Paraphrases, Kenna L. Olsen
Chapter Sixteen: Audiences, Medieval and Modern, John M. Bowers
Index
About the Contributors