Table of Contents
Preface: Why this Topic and these Authors
David G. Hebert
Part I: Introduction to Music and Cultural Diplomacy
Chapter One: Introduction: Ethnomusicology as a Resource for Cultural Diplomacy
David G. Hebert
Chapter Two: International Soft Law and the Promotion of Musical Rights
Marja Heimonen and David G. Hebert
Part II: Middle Eastern Perspectives
Chapter Three: “A Very Beautiful Image of Afghanistan”: Cultural Diplomacy through Music Education and Performance
Lauren Braithwaite
Chapter Four: Music Festivals and Cultural Diplomacy in Uzbekistan
Elnora Mamadjanova and David G. Hebert
Chapter Five: Sufi Voices: Music as a Unifying Pathway toward the Divine
Chaden Yafi
Chapter Six: Soft War and Multilateral Musical Pathways in Iran
Nasim Niknafs
PART III: East Asian Views
Chapter Seven: Cultural Diplomacy in Collaborative Artistic Projects between China and Europe
Marianne Løkke Jakobsen and David G. Hebert
Chapter Eight: A Gap in Cultural Policy: Non-Japanese Experiences of Learning Japanese Music
Koji Matsunobu
Chapter Nine: Cultural Diplomacy and Transculturation through the History of Vọng Cổ in Vietnam
Nguyễn Thanh Thủy and Stefan Östersjö
PART IV: African Insights
Chapter Ten: Cultural Policies and Music Production Across Ethiopian Regimes: A Historical Study
Abraha Weldu and Jan Magne Steinhovden
Chapter Eleven: Musical Activism from South Africa: The “Soft Power” of Cultural Diplomacy
Ambigay Yudkoff
Chapter Twelve: Intercultural Relations in Church Music of Nigeria and South Africa
Rhoda Abiolu
PART V: Legal Perspectives from Asia
Chapter Thirteen: Cultural Heritage and Music Diplomacy: The Legal Framework in India
Karan Choudhary
Chapter Fourteen: China’s Legal Framework Supporting Protection and Sustainability of Artistic Heritage
Juqian Li
Part VI: Conclusion: Rethinking Music Heritage and Cultural Diplomacy
Chapter Fifteen: Toward Global Models and Benchmarks for Music Diplomacy
David G. Hebert and Jonathan McCollum