Lexington Books
Pages: 382
Trim: 6⅜ x 9
978-1-7936-4165-6 • Hardback • August 2021 • $133.00 • (£102.00)
978-1-7936-4167-0 • Paperback • January 2023 • $42.99 • (£35.00)
978-1-7936-4166-3 • eBook • August 2021 • $40.50 • (£30.00)
Helena Goscilo is professor in the Department of Slavic and East European Languages and Culture at Ohio State University.
Beth Holmgren is professor in the Department of Slavic and Eurasian Studies at Duke University.
Introduction: Why Polish Cinema Today?
Chapter 1: Saints and Sinners: The Polish Catholic Church in Close-up
Chapter 2: Wandering Poles: Lost or Left in Migration
Chapter 3: All in the Family: The Ties that Bind and Blight
Chapter 4: Rescreening Christian-Jewish Relations in Interwar, Wartime, and Postwar Poland
Chapter 5: Crime à la Carte: Death and Double-Dealing
Chapter 6: Cold War Retakes in the 21st Century
Chapter 7: Female Sexuality with and without Apologies
Chapter 8: Male Gays under a Female Gaze
Conclusion: Polish Film Tomorrow?
To satisfy all three intended audiences—film teachers, students, and cinephiles—Goscilo and Holmgren selected critically acclaimed films and films that elicited the liveliest discussions in the courses they taught at their respect universities…. The sophisticated close analyses of the films are interspersed with pertinent information about the films' directors and actors and the reception of the films both nationally and internationally. The book is a welcome addition to the existing corpus of Polish film studies scholarship. It will be a great resource not only for scholars but also for lovers of Polish cinema. Highly recommended. Lower-division undergraduates through faculty; general readers.
— Choice Reviews
This book is a valuable source for researchers and is a delightful read for anybody interested in Poland.
— Elzbieta Ostrowska, University of Alberta
This is another brilliant study by Goscilo and Holmgren, exquisitely researched and written with verve, insight, and sparkling analysis. Scholars, students, and movie lovers will make many discoveries from the dozens of contemporary Polish films examined in depth and their transnational explorations of gender, genre, religion, migration, crime, family, Jewish life, and same-sex love. This is a remarkable contribution to film studies and to our understanding of Polish art and society after 1989.
— Andrea Lanoux, Connecticut College