"Borders often incite transgression. The musical expressions studied by Luis Díaz Santana Garza are an example of how popular culture in border regions breaks down barriers and fragments conventional identities. Music on the border causes strange, complex and fascinating phenomena that are studied in great detail in this book. The reader will be amazed at the wealth that the border between Nuevo León and Texas harbors and generates in its popular musical expressions."
— Roger Bartra, Emeritus Researcher, Universidad Nacional Autónoma de México
"Under a multidisciplinary approach -which combines cultural history, cultural studies and music studies, with musicological analysis-, Díaz-Santana Garza offers a binational perspective of the emergence and evolution of this music that helps to explain the phenomenon of musical norteñización that Mexico is currently experiencing. The rigor is remarkable, as well as the variety of its sources: oral and documentary (printed, recorded). The clarity and solidity of the arguments used to critically construct the history around these musical cultures, goes beyond the strictly musical framework and brings us closer to the areas of contemporary culture."
— Jose Juan Olvera Gudiño, Center for Research and Higher Studies in Social Anthropology
"This is the first comprehensive study of the relationship between norteño and conjunto music that truly takes into consideration both sides of the border. It will be of interest to a wide range of readers to include not only conjunto and norteño fans, but also scholars from disciplines such as musicology, folklore, media studies, popular culture, history, literature, sociology and cultural anthropology."
— Juan Carlos Ramírez-Pimienta, San Diego State University