Earthly Engagements: Reading Sartre after the Holocene brings together scholars from the Sartre studies community to think through the planetary ecological crisis. Edited by Matthew C. Ally and Damon Boria, the collection explores ways in which Sartre’s existential thought can be read socio-ecologically, illuminating the tightly imbricated earthly and worldly crises of our post-Holocene epoch. Contributors variously discuss phenomenology, ethics, politics, ontology, and metaphysics. Earthly locations include the Icelandic coast, the Minnesota woods, the Indiana Dunes, the Chinese Great Plain, the Venetian Lagoon, and more; worldly situations include that of the artist, the activist, the consumer, the tourist, and more. Through their diversity of methods and substantive concerns, the chapters reveal a wealth of critical and heuristic resources within Sartre’s thought for thinking through and engaging the planetary ecological crisis and its direct ties to global social, economic, and political crises. In full recognition of Sartre’s personal distaste for agrarian settings and wilderness, and some ostensibly anti-environmental philosophical and literary moments, the contributors take the proper Sartrean line that how we view nature and our relationship to nature is neither closed nor predetermined. Like life itself, our worldly relationship to earthly nature is rooted in the sufficiency and open-endedness of freedom.
Matthew C. Ally is professor of philosophy at the Borough of Manhattan Community College of the City University of New York.
Damon Boria is associate professor of philosophy at Franciscan Missionaries of Our Lady University.
Introduction by Matthew C. Ally & Damon Boria
Part I. Sartre and Ecology
Chapter 1. “Sartre and Problems in the Philosophy of Ecology – with a Thirty-Year Update” by William L. McBride
Part II. Art and Phenomenology
Chapter 2. “Soundscape Ecology and a Sartrean Phenomenology of Listening” by Craig Matarrese
Chapter 3. “The Ecological Gaze: Re-Reading Sartre through Guido van Helten’s No Exit Murals” by Joe Balay
Part III. Ethics
Chapter 4. “Three Sartrean Motivations for Environmentalism” by Kiki Berk and Joshua Tepley
Chapter 5. “I Am What I Buy: Bad Faith and Consumer Culture” by Elizabeth Butterfield
Chapter 6. “Buying Green: A Trap for Fools, or, Sartre on Ethical Consumerism” by Michael Butler
Part IV. Dialectics and Politics
Chapter 7. "Heralding Kairos: The Depths of Seriality and Creating Earth as a Work of Art" by Austin Hayden Smidt
Chapter 8. “Counter-Finality and the Living World” by Paul Gyllenhammer
Chapter 9. “Hyperobjects and the Practico-Inert: Ecology and the Critique of Dialectical Reason” by Simon Gusman and Arjen Kleinherenbrink
Part V. Ontology and Metaphysics
Chapter 10. “Sartrean Ethics Meets Deloria’s Native American Metaphysics: A Spatialized Existentialist Ethic” by Kimberly Engels
Chapter 11. “Nothingness, Emptiness, and Ecology: A Reframing of Sartre’s Early Ontology through Buddhist Metaphysics” by Dane Sawyer
Part VI. Reimagining Past and Future
Chapter 12. “Toward Ecologically-Oriented Political Projects: Reimagining Existentialism at Algren’s Cabin” by Damon Boria
Chapter 13. “After the Holocene: Reimagining Sartre’s Venice” by Matthew C. Ally
One could be forgiven for assuming that Sartre, who died in 1980, would have little to teach us in our struggle to understand, and to combat, the current ecological crisis. But one would, nonetheless, be sorely mistaken, as this outstanding collection makes abundantly clear. Matthew Ally and Damon Boria have assembled an all-star roster of writers, who illuminate the crisis from a variety of angles, while making use of a staggering number of Sartrean concepts, theories, and arguments. Anyone interested either in environmental issues or in Sartre will find much of interest here, most of which one cannot find elsewhere.
To have a collection of essays on Sartre and ecology is both quite unexpected and deeply welcome. Sartre was as "urbane," and in that sense "bourgeois," a figure as one will find in philosophy. Did Sartre ever spend time in a woodlands hut, as did Heidegger and Wittgenstein? --seems doubtful. And yet both biological and geological nature play a large role in Sartre's thinking, from rocks to trees, and of course La Nausee takes place in "Mud Town." In almost every case, the natural objects in Sartre's work, always found in urban settings, stand in for concepts, adding up to a bruteness of being that is nausea-inducing. The metaphysical upshot of these object-concepts is part of an anti-Platonic philosophical program, which, oddly and strikingly, results in the same sense of alienation from reality that we see in Plato. There is no recourse to the forms in Sartre, however, and neither is there a going back behind Plato, as Heidegger proposed, to find the sense of dwelling. One has to do a very different kind of work, in other words, to bring these object-concepts in communication with an ecological perspective. This perspective is now unfolding in a time, a proposed epoch even, called the "Anthropocene," and this is right up Sartre's alley, for, in a deep sense--one that could be seen, in fact, in both a complementary and somewhat antagonistic relationship with deep ecology, Sartre's understanding of consciousness is such that humanity has always been in the Anthropocene. Our world is always our human world. But yes, a different and indeed a very difficult kind of work--a work for which Sartre offers a wide array of conceptual tools, from both the early (phenomenological) and later ("Marxist," however one understands this) periods of his work (with existential humanism throughout), from nothingness to the practico-inert and seriality. The authors in this collection apply these tools brilliantly--as one would expect, for they are among the best Sartre scholars in the world today. They "crack the ecology code" on numerous levels, many of these, again, unexpected, from soundscape music to the Native American metaphysics of Vine Deloria and the Buddhist sense of emptiness; to the question of seriality that Sartre applied in his somewhat infamous essay, "Elections: A Trap for Fools" now applied to "green consumerism"; to Timothy Morton's deployment of object-oriented ontology to create "dark ecology." No author here lets Sartre off easy, either--it is very clear that the path from Sartre's overwhelmingly urban world to what in many ways is frightening and disturbing, inhuman reality, nature (which, at least to begin with, annihilates the little scraps of meaning that we have managed to assemble in our lives); in pressing Sartre toward this reality, using his own tools, Matthew C. Ally and Damon Boria have brought together something very special.