Acknowledgments
Foreword
Martin Shuster
Introduction: Television: What is it Good For?
Steven A. Benko
Chapter One: Sleeping with Fishes and Talking with Horses: Animality, Identity, and Vegetarianism in The Sopranos
H. Peter Steeves
Chapter Two: The Bigger the Lie, the More They Believe: Morality and Ethics in The Wire
John Hillman
Chapter Three: The Two Walters: Walt Whitman's Poetry and the Moral Vision of Breaking Bad
Douglas Rasmussen
Chapter Four: Check Your Settings: Change to a Democratic Framework for Feminist Subtitles
Leigh Kellmann Kolb
Chapter Five: "The Lord of War and Thunder": The Morality of Nemesis and Retributive Justice within Justified
James L. Shelton
Chapter Six: Law and Loyalty in Hellcats
Matt Hummel
Chapter Seven: Justice is Served: Bryan Fuller’s Hannibal and the Evolution of Cultural Morality
Douglas L. Howard
Chapter Eight: What Made the Devil Do It?
Matilde Accurso Liotta and Martina Vanzo
Chapter Nine: Letterkenny: Tolerance Meets Tradition
Dutton Kearney
Chapter Ten: Morality versus Mortality: The Meaning of (After)Life in The Good Place
Jill B. Delston
Chapter Eleven: How Television Produces Invisible Communities in an Age of Loneliness. A Detailed Look at 13 Reasons Why
Denis Newiak
Chapter Twelve: Can Watching TV Make Me a Unicorn? TV and the Ethics of Decency
Steven A. Benko and Eleanor Jones
Chapter Thirteen: The Baby Yoda Effect: A Kantian Analysis of Mandalorian Ethics
James Rocha
Chapter Fourteen: “So, a Black Captain America, huh?” Race in The Falcon and the Winter Soldier
Alisa Johnson and Steven A. Benko
Index
About the Contributors