Peak TV’s Unapologetic Jewish Woman is simultaneously a deep dive into some important case studies and an expansive new reading of Jewishness on American television. Pickette has crafted a story about the evolution of the depiction of Jewish womanhood. She offers sharp, insightful readings of both classic and recent television shows, comparing and contrasting their use (and sometimes misuse) of Jewish women characters. She ends with the question ‘where do we go from here?’ but the book has left very little doubt that where we go from here is on to ever more unapologetic Jewish women populating the airwaves.
— Jennifer Caplan, University of Cincinnati
Samantha Pickette’s brilliant illumination of Jewish and gendered self-representation in television and streaming programming is sensitive, savvy, and often moving. Revealing in thoughtful detail ‘the ways in which Jewishness can take shape in the daily lives of young secular Jews,’ her penetrating and compelling discussions of characters, plots, and settings utilize the skills of ethnography as well as cinematic and literary analysis. You cannot find a more coherent and insightful guide to the panorama of outrageous, entertaining, and sometimes irritating women and men acting out their Jewishness on contemporary screens.
— Sylvia Barack Fishman, Brandeis University
Peak TV’s Unapologetic Jewish Woman: Exploring Jewish Representation in Contemporary Television Comedy did not disappoint. Although it’s an academic study, it’s chock full of gems that will add to communal debates about such shows as Crazy Ex-Girlfriend, The Marvelous Mrs. Maisel, Broad City,
and Transparent... But the reader who can get past [the] academic tics will be rewarded with a Jewish feminist lay of contemporary TV land. And I think most readers will find themselves eager not only for the next generation of Jewish TV but also for Pickette’s commentary on it.
— Lilith Magazine
In this expansive and insightful study of Jewish women, Samantha Pickette analyses the important changes that have occurred in the presentation of Jewish women-- from the classic “Jewish mother/JAP” to a more complex and nuanced contemporary “new Jew” who defies the historical stereotypes. Pickette’s central thesis is that this contemporary portrayal not only individualizes the Jewish female character but also provides her with a humanity that rescues her from the demeaning and sometimes antisemitic roles of the past. The result of this focus on the “unapologetic” Jewish woman is central to her thesis that both traditional television and new media (streaming, network, cable programming) have created nothing less than a Jewish female storytelling for a new generation of viewers... This study, therefore, is recommended for both scholars of Jewish studies, gender and new media but also for the general reader and avid television viewer who would appreciate a careful, contextualized analysis of Jewish, contemporary women.
— Journal Of Modern Jewish Studies