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Displacing Fictions of Orhan Pamuk

Beyond the Bridge

Hande Gürses

Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.

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Lexington Books
Pages: 210 • Trim: 6¼ x 9¼
978-1-7936-2576-2 • Hardback • November 2023 • $95.00 • (£73.00)
978-1-7936-2577-9 • eBook • November 2023 • $45.00 • (£35.00)
Subjects: Literary Criticism / Middle Eastern, Literary Criticism / Modern / 20th Century

Hande Gürses is instructor at Capilano University.

Acknowledgments

Introduction

Chapter 1: Of Bridges: Histories, Stories, and Crossings

Chapter 2: In Search of Stories: The White Castle

Chapter 3: Death, Love, and Art: My Name is Red

Chapter 4: Topographies: Istanbul: Memories of a City

Coda: Moving Futures

Bibliography

About the Author

Gürses’s book is a wonderful addition to the literature on Turkish novelist Orhan Pamuk (b. 1951) and on Ottoman and Middle Eastern studies in general. In the expansive introduction Gürses not only encapsulates a review of the literature of the Nobel laureate’s life and works but also provides a meditation on Orientalism and a summary of Ottoman literary history—an impressive sweep of information that provides context for this study of Pamuk. Gürses elects to use the bridge as a site of contestation, as opposed to (re)-conciliation, to capture continuous movement of peoples and ideas. He asserts that the objective of his work is to “demonstrate the limits and violence of the bridge metaphor through the study of the new symbols of Pamuk’s work” (p. 27). He is artful in achieving his objective. In four well-crafted chapters Gürses establishes the foundation for his study and critiques The White Castle, My Name Is Red, and Istanbul: Memories of a City. The coda brings a satisfying close to the complicated ideas advanced by the author. The bridge as symbol of violence speaks to displacement of those in exile as well as notions of home. Highly recommended. Upper-division undergraduates through faculty.


— Choice Reviews


Displacing Fictions of Orhan Pamuk

Beyond the Bridge

Cover Image
Hardback
eBook
Summary
Summary
  • Displacing Fictions of Orhan Pamuk: Beyond the Bridge questions the prevailing relevance and violence of the bridge metaphor for literature through new readings of Orhan Pamuk. This book argues that despite its association with connection, dialogue, and reconciliation, the bridge is an inherently violent structure that controls movement by regulating it. Drawing on deconstruction and Derrida, the author argues for a rethinking of the intrinsic connection between the bridge and the writings of Orhan Pamuk. Exploring Pamuk’s significance as an author of the world literature canon, this book investigates the history and theory of the discipline as a bridge. Identifying new metaphors in Pamuk’s work, Hande Gürses shows the political potential of moving beyond the bridge. As people, lands, and ideas keep moving, Displacing Fictions of Orhan Pamuk argues for an urgent need for new metaphors to understand and represent the realities of our contemporary world.

Details
Details
  • Lexington Books
    Pages: 210 • Trim: 6¼ x 9¼
    978-1-7936-2576-2 • Hardback • November 2023 • $95.00 • (£73.00)
    978-1-7936-2577-9 • eBook • November 2023 • $45.00 • (£35.00)
    Subjects: Literary Criticism / Middle Eastern, Literary Criticism / Modern / 20th Century
Author
Author
  • Hande Gürses is instructor at Capilano University.

Table of Contents
Table of Contents
  • Acknowledgments

    Introduction

    Chapter 1: Of Bridges: Histories, Stories, and Crossings

    Chapter 2: In Search of Stories: The White Castle

    Chapter 3: Death, Love, and Art: My Name is Red

    Chapter 4: Topographies: Istanbul: Memories of a City

    Coda: Moving Futures

    Bibliography

    About the Author

Reviews
Reviews
  • Gürses’s book is a wonderful addition to the literature on Turkish novelist Orhan Pamuk (b. 1951) and on Ottoman and Middle Eastern studies in general. In the expansive introduction Gürses not only encapsulates a review of the literature of the Nobel laureate’s life and works but also provides a meditation on Orientalism and a summary of Ottoman literary history—an impressive sweep of information that provides context for this study of Pamuk. Gürses elects to use the bridge as a site of contestation, as opposed to (re)-conciliation, to capture continuous movement of peoples and ideas. He asserts that the objective of his work is to “demonstrate the limits and violence of the bridge metaphor through the study of the new symbols of Pamuk’s work” (p. 27). He is artful in achieving his objective. In four well-crafted chapters Gürses establishes the foundation for his study and critiques The White Castle, My Name Is Red, and Istanbul: Memories of a City. The coda brings a satisfying close to the complicated ideas advanced by the author. The bridge as symbol of violence speaks to displacement of those in exile as well as notions of home. Highly recommended. Upper-division undergraduates through faculty.


    — Choice Reviews


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