Taking his readers on a rock 'n roll tour of Japan from the 1960s through the 1990s, Christopher Keaveney reveals the Orientalist dreams influencing many Western musicians from their kimono-clad album covers and geisha-inspired lyrics to their reflections on their Japanese fandom. Informative, erudite, and wonderfully fun to read, Keaveney's study compels rethinking the legacy of Madame Butterfly, samurai masculinity, and discovery of the Western self in the exotic East.
— Rebecca Copeland, Washington University in St. Louis
Christopher T. Keaveney shifts our focus from the impact of rock music on Japan to the impact of Japan on rock music. He places rock and roll in the long history of japonisme, demonstrating how both explicitly gendered ‘imaginaries’ and real experiences of Japan influenced the economic and cultural development of AOR and rock video. Throughout the book, Keaveney’s passion for the music comes through.
— E. Taylor Atkins, Northern Illinois University
This knowledgeable, lovingly written, accessible book records the many ways orientalist stereotypes of Japan have influenced American and British rock musicians during the ‘Age of Album Rock’ (1960s–1990s) and beyond, as heard in their songs, seen on their album covers, enacted on their concerts at the Budokan, performed in photographs and music videos, and reported by journalists.
— Alisa Freedman, University of Oregon
Christopher Keaveney’s monograph is a very welcome addition to the field of transnational and comparative Japan studies, and by extension contemporary cultural studies…. [A] valuable aspect of the book…is perhaps its ability to trigger ideas for further projects and point to avenues for further research in the rich and ever-growing fields of cultural representation analysis and of transnational Japan studies.
— Journal of Japanese and International Economy