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Forms of the Body in Contemporary Japanese Society, Literature, and Culture

Edited by Irina Holca and Carmen Săpunaru Tămaş - Contributions by Alina E. Anton; Luciana Cardi; Jennifer Coates; Caitlin Coker; Andrea De Antoni; Galia Todorova Gabrovska; Shun Izutani; Emerald L. King; Yoko Kumada; Kayo Sasao; Kayo Takeuchi; Adrian O. Tămaş and Kathryn Tanaka

This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.
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Lexington Books
Pages: 316 • Trim: 6¼ x 9
978-1-7936-2387-4 • Hardback • May 2020 • $135.00 • (£104.00)
978-1-7936-2389-8 • Paperback • December 2021 • $48.99 • (£38.00)
978-1-7936-2388-1 • eBook • May 2020 • $46.50 • (£36.00)
Subjects: Social Science / Anthropology / Cultural, Social Science / Ethnic Studies / Asian Studies, Literary Criticism / Asian / Japanese
Irina Holca is associate professor at the University of Tokyo.

Carmen Sǎpunaru Tămaș is associate professor at the University of Hyogo.
Part I: The Performed Body

Chapter One: A Japanese Fox in a Woman’s Body: Shifting Performances of Femininity in Kij Johnson’s Reworking of
Konjaku Monogatari
Luciana Cardi


Chapter Two: Call Me a Dog. Feeling (
Inugami) Possession in Contemporary Tokushima Prefecture
Andrea De Antoni


Chapter Three: Kabuki: Performance of Gendered Bodies

Galia Todorova Gabrovska

Chapter Four: Home Is Where Mother Is, and the Way to a Man’s Heart Goes through His Stomach: Bodies in the Kitchen (Yoshimoto Banana)
Irina Holca

Chapter Five: The Body as Canvas: Osaka Drag Queens from Kabuki to Lady Gaga

Carmen Săpunaru Tămaș


Part II: The De-formed Body

Chapter Six: The Body in Motion in Butō: Passivity and Transformation in the Flesh
Caitlin Coker

Chapter Seven: Senility and the Body: Care and Gender in Contemporary Japanese Literature
Shun Izutani

Chapter Eight: The Cared for Dog and the Caring Dog: Ethical Possibilities in Rieko Matsuura’s Kenshin
Kayo Takeuchi

Chapter Nine: Pricking Pain Surrounds Us: Restraining, Shaping, and Taming the Body in Hebi ni Piasu
Emerald L. King


Chapter Ten: Literature as Social Activism and Reconciliation: Survivors’ Writing and the Meaning of Hansen’s Disease in Japan after 1950
Kathryn Tanaka


Chapter Eleven: The Bald and the Beautiful: Perspectives on Baldness in Contemporary Japan
Adrian O. Tămaș


Part III: The Conformed Body

Chapter Twelve: The Asian Body in the North American Context: Visual and Literary Racialization
Alina E. Anton



Chapter Thirteen: Bodies in the Dark: The Postwar Cinema Audience and the Body as ‘Ground Zero’
Jennifer Coates

Chapter Fourteen: The Confined Body in Ogawa Yōko’s The Ring Finger: A Beguiling Journey towards “Self-discovery”
Kayo Sasao

Chapter Fifteen: Bodies of Onna-no-ko: The Case of a Sex Establishment in Tokyo, Japan
Yoko Kumada
The body functions not only as a ground for the unique particularities of individual subjectivity, but also as a model of universality that mirrors the community and the society at large. Through this connection between the individual and the whole, the body thereby gives physical shape to the universal order and its microcosmos, while likewise serving in modern society as the political “field” through which the conflicts and contradictions between the two become visible. It is the nature of this “field” of body politics that Irina Holca and Carmen Săpunaru Tămaş illuminate in their exploration of the varying representations of the body across contemporary Japanese literature, performance, and popular culture.
— Hideto Tsuboi, International Research Center for Japanese Studies


This edited volume is a fresh and very rich addition to our understanding of a crucial topic—the body—as thought, felt, and acted by contemporary Japanese. It will enrich the field beyond Japanese studies, since it brings together two important elements; in addition to familiar names in Japanese studies, the editors—both Romanians with Ph.D.s from Japanese universities—have included authors from highly diverse backgrounds, and their ‘ethnographies’ engage with literature, performing arts, and everyday behaviors, rather than only social science materials.
— Emiko Ohnuki-Tierney, University of Wisconsin


This meticulously edited volume gathers scholars from a range of disciplines and geographical backgrounds to provide powerfully written essays that expand scholarly thought on bodies. These cogent essays by young scholars respond to recent Japanese fiction and social and artistic phenomena—while paying attention to the centrality of the body—and do much to expand our understanding in the theoretical lineage of attention to the body. There is much to learn from these essays.
— Douglas Slaymaker, University of Kentucky


This is a refreshing collection of articles addressing the subject of the body from a variety of appealingly eclectic angles. Drawing on less well-known insights gathered by social and cultural anthropologists as well as literature scholars, the chapters offer surprise after surprise—approaches that bewilder the boundaries between human, animal, and spirit, and that amuse as well as inform. This is highly recommended for anyone interested in learning more about Japan's cultural creativity.
— Joy Hendry, Oxford Brookes University


Forms of the Body in Contemporary Japanese Society, Literature, and Culture

Cover Image
Hardback
Paperback
eBook
Summary
Summary
  • This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.
Details
Details
  • Lexington Books
    Pages: 316 • Trim: 6¼ x 9
    978-1-7936-2387-4 • Hardback • May 2020 • $135.00 • (£104.00)
    978-1-7936-2389-8 • Paperback • December 2021 • $48.99 • (£38.00)
    978-1-7936-2388-1 • eBook • May 2020 • $46.50 • (£36.00)
    Subjects: Social Science / Anthropology / Cultural, Social Science / Ethnic Studies / Asian Studies, Literary Criticism / Asian / Japanese
Author
Author
  • Irina Holca is associate professor at the University of Tokyo.

    Carmen Sǎpunaru Tămaș is associate professor at the University of Hyogo.
Table of Contents
Table of Contents
  • Part I: The Performed Body

    Chapter One: A Japanese Fox in a Woman’s Body: Shifting Performances of Femininity in Kij Johnson’s Reworking of
    Konjaku Monogatari
    Luciana Cardi


    Chapter Two: Call Me a Dog. Feeling (
    Inugami) Possession in Contemporary Tokushima Prefecture
    Andrea De Antoni


    Chapter Three: Kabuki: Performance of Gendered Bodies

    Galia Todorova Gabrovska

    Chapter Four: Home Is Where Mother Is, and the Way to a Man’s Heart Goes through His Stomach: Bodies in the Kitchen (Yoshimoto Banana)
    Irina Holca

    Chapter Five: The Body as Canvas: Osaka Drag Queens from Kabuki to Lady Gaga

    Carmen Săpunaru Tămaș


    Part II: The De-formed Body

    Chapter Six: The Body in Motion in Butō: Passivity and Transformation in the Flesh
    Caitlin Coker

    Chapter Seven: Senility and the Body: Care and Gender in Contemporary Japanese Literature
    Shun Izutani

    Chapter Eight: The Cared for Dog and the Caring Dog: Ethical Possibilities in Rieko Matsuura’s Kenshin
    Kayo Takeuchi

    Chapter Nine: Pricking Pain Surrounds Us: Restraining, Shaping, and Taming the Body in Hebi ni Piasu
    Emerald L. King


    Chapter Ten: Literature as Social Activism and Reconciliation: Survivors’ Writing and the Meaning of Hansen’s Disease in Japan after 1950
    Kathryn Tanaka


    Chapter Eleven: The Bald and the Beautiful: Perspectives on Baldness in Contemporary Japan
    Adrian O. Tămaș


    Part III: The Conformed Body

    Chapter Twelve: The Asian Body in the North American Context: Visual and Literary Racialization
    Alina E. Anton



    Chapter Thirteen: Bodies in the Dark: The Postwar Cinema Audience and the Body as ‘Ground Zero’
    Jennifer Coates

    Chapter Fourteen: The Confined Body in Ogawa Yōko’s The Ring Finger: A Beguiling Journey towards “Self-discovery”
    Kayo Sasao

    Chapter Fifteen: Bodies of Onna-no-ko: The Case of a Sex Establishment in Tokyo, Japan
    Yoko Kumada
Reviews
Reviews
  • The body functions not only as a ground for the unique particularities of individual subjectivity, but also as a model of universality that mirrors the community and the society at large. Through this connection between the individual and the whole, the body thereby gives physical shape to the universal order and its microcosmos, while likewise serving in modern society as the political “field” through which the conflicts and contradictions between the two become visible. It is the nature of this “field” of body politics that Irina Holca and Carmen Săpunaru Tămaş illuminate in their exploration of the varying representations of the body across contemporary Japanese literature, performance, and popular culture.
    — Hideto Tsuboi, International Research Center for Japanese Studies


    This edited volume is a fresh and very rich addition to our understanding of a crucial topic—the body—as thought, felt, and acted by contemporary Japanese. It will enrich the field beyond Japanese studies, since it brings together two important elements; in addition to familiar names in Japanese studies, the editors—both Romanians with Ph.D.s from Japanese universities—have included authors from highly diverse backgrounds, and their ‘ethnographies’ engage with literature, performing arts, and everyday behaviors, rather than only social science materials.
    — Emiko Ohnuki-Tierney, University of Wisconsin


    This meticulously edited volume gathers scholars from a range of disciplines and geographical backgrounds to provide powerfully written essays that expand scholarly thought on bodies. These cogent essays by young scholars respond to recent Japanese fiction and social and artistic phenomena—while paying attention to the centrality of the body—and do much to expand our understanding in the theoretical lineage of attention to the body. There is much to learn from these essays.
    — Douglas Slaymaker, University of Kentucky


    This is a refreshing collection of articles addressing the subject of the body from a variety of appealingly eclectic angles. Drawing on less well-known insights gathered by social and cultural anthropologists as well as literature scholars, the chapters offer surprise after surprise—approaches that bewilder the boundaries between human, animal, and spirit, and that amuse as well as inform. This is highly recommended for anyone interested in learning more about Japan's cultural creativity.
    — Joy Hendry, Oxford Brookes University


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