Foreword
Matthias Weßel
Acknowledgements
From Reviving the Dinosaur to Reconnecting with the Visionary: An Introduction to the Volume and an Overview of the State of Koestler Studies
Zénó Vernyik
Part 1: Between Genres and Subgenres
Chapter 1: Bucco the Peasant: A Play Embedded in The Gladiators, Its Narrative Function and Relevance for Understanding Koestler’s Fiction
Henry Innes MacAdam
Chapter 2: Can There Be Multiple Keys? The Age of Longing and the Genre of the Roman‑à‑clef
Zénó Vernyik
Part 2: The Political Novel
Chapter 3: Images of Revolution: Orwell’s Animal Farm and Koestler’s The Gladiators
Stephen Ingle
Chapter 4: Bernard’s Vision of the Totalitarian State in Arrival and Departure: A Discourse Analytical View of Political Metaphors
Uwe Klawitter
Part 3: Investigating the Self and Its Dilemmas through the Prism of the Novel
Chapter 5: Beyond Communism: Reflections on Rubashov’s Character from the Perspectives of Identity, Ethics and Relevance
Alice Eged
Chapter 6: Rubashov’s Heritage: The Tragedy of Futility – Portraying the Individual Where No Individuality Is Allowed
Krisztián Kacsinecz and Szilvia Deisler
Part 4: The Zionist Novel: Nation, Identity and Race
Chapter 7: Thieves in the Night: Land and Identity
Jenni Calder
Chapter 8: Arthur Koestler and the Jewish Race According to Thieves in the Night
Motti Inbari
Part 5: The Novel as Summary
Chapter 9: The Call-Girls: A Valedictory Novel
Louis Gordon