Global Milton and Visual Art showcases the aesthetic appropriation and reinterpretation of the works and legend of the early modern English poet and politician John Milton in diverse eras, regions, and media: book illustrations, cinema, digital reworkings, monuments, painting, sculpture, shieldry, and stained glass. It innovates an inclusive approach to Milton’s literary art, especially his masterpiece Paradise Lost, in global contemporary aesthetics via intertextual and interdisciplinary relations. The fifteen purposefully-brief chapters, 103 illustrations, and 64 supplemental web-images reflect the great richness of the topics and the diverse experiences and expertise of the contributors. Part I: Panoramas, provides overviews and key contexts; Part II: Cameos offers different perspectives of the varied afterlives of the most widely-circulating illustrations of Paradise Lost, those by Gustave Doré; Part III: Textual Close-ups focuses on a rich variety of book illustrations, from centuries-old elite engravings to a twenty-first century graphic novel; and Part IV: A Prospect beyond Books, explores visual media outside of books that manifest powerful connections, direct and indirect, with Milton’s works and legend.
Angelica Duran is professor of English, comparative literature, and religious studies at Purdue University.
Mario Murgia is professor of English literature at the National Autonomous University of Mexico.
Part I: Panoramas
Chapter 1. An Introduction: Things Visible
Angelica Duran and Mario Murgia
Chapter 2. “More Worlds . . . Other Worlds . . . New Worlds”: Translation / Illustration / Paradise Lost
Part II: Cameos
Chapter 3. Doré’s Paradise Lost and Ukiyo-e Prints
Chapter 4. Doré’s Illustrations with Cromos in El Paraíso perdido
Chapter 5. Paradise Lost in Music Videos
Ana Elena González-Treviño
Part III: Textual Close-ups
Chapter 6. Author Portraits of Milton, Authorship, and Canonization
Chapter 7. “Delectable to Behold”: Milton’s Eve in the Artist’s Gaze
Chapter 8. Gender, Nature, and Desire in Dalí’s Paradise Lost
Chapter 9. Paradise Lost as (Hispanic) Graphic Novel
Part IV: A Prospect beyond Books
Chapter 10. How Milton’s Rebel Angels Landed in Mexico
Chapter 11. The Milton Shield, Paradise Lost, and the 1867 Exposition universelle in Paris
Chapter 12. Inscription, Monuments, and the Milton Window at St. Margaret’s, Westminster
Chapter 13. Portraits of Milton in Stained Glass
Chapter 14. Rebel Angels: Milton, Epstein’s Lucifer, and the Kashmiri Sitter
Islam Issa and Matthew Geary
Chapter 15. Milton’s Satan in Malick’s Song to Song
Jonathan R. Olson
Global Milton tracks visual interpretations of the poet’s work in diverse contexts – across multiple cultures and through a variety of historical moments. Stretching from Gustave Doré’s engravings to contemporary music videos, passing via stained glass windows and comics, the contributors illustrate the creative complexity of these representations in analogue and digital forms. An invaluable resource for those interested in the cross-cultural portability and intermedial translatability of classic works of world literature.
Angelica Duran and Mario Murgia have assembled a collection of illuminating essays of astonishing chronological and culture diversity, which range from an account of William Marshall’s portrait frontispiece to Milton’s first poetry collection to analysis of modern films and pop videos. This ambitious project, drawing together scholars from around the world, deeply engages and substantially advances current appreciation of Milton’s global reach.
View additional web figures HERE.