I recommend the book to everyone interested in questions regarding literature and philosophy that issue from the ancient quarrel. Cleveland writes clearly and pushes his arguments forward through a maze of different philosophical disciplines. As he himself states, this book was written primarily in order to honor two of his great loves, literature and philosophy, and the result is a book that invites a similar degree of enthusiasm and dedication. Concerned with the unsayable, the book, almost paradoxically, manages to say (and show!) how inspiring philosophy can be, when it is done from the heart. Most importantly perhaps, in the age when literacy is rapidly declining and fewer and fewer people read, with the STEM-areas trumping the humanities all around the world, Cleveland’s book is a much-needed reminder that certain things just are beyond theoretical grasp: they can only be shown to us by art. One can only hope that its messages will resonate with those who fail to acknowledge the social, cultural, and educational values of the arts and philosophy.
— Notre Dame Philosophical Reviews
What can be shown but not said? Where and how can something of surpassing interest or importance be shown but not said? A picture, for example, can be worth a thousand words. These questions arise when we ponder what can be shown and not said. In this book, Timothy Cleveland, a philosopher who can see deeply and broadly, shows himself able to not only see but also say much of great interest about such questions.
— Ernest Sosa, Rutgers University