Lexington Books
Pages: 288
Trim: 6½ x 9
978-1-7936-0862-8 • Hardback • October 2020 • $140.00 • (£108.00)
978-1-7936-0863-5 • eBook • October 2020 • $45.00 • (£35.00)
Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.
Chapter One: Thinking of Film: What is Cavellian about Malick’s Movies?
David LaRocca
Chapter Two: Here and There: Malick’s Cinema and McGilchrist’s “Divided Brain”
Adam Daniel
Chapter Three: The Beautiful Light: The Supernaturalist Argument of The Thin Red Line
David J. Gilbert
Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the Films of Terrence Malick
Kip Redick
Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line
Timothy E.G. Bartel
Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in the Work of Terrence Malick
Joshua Russell
Chapter Seven: Auteurs and Movie Brats: Placing Malick’s Extraordinary Career in Context
Dean Yamada
Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in Dialogue
Anthony Parisi
Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema
Joshua Sikora
Chapter Ten: Disputing Henri de Lubac’s Nature and Grace and Job’s Ending: The Tree of Life as Theological Discourse
Naaman Wood
Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of Terrence Malick
Vernon W. Cisney
Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days of Heaven and To the Wonder
Matthew Aughtry
Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work of Cinema
Reno Lauro