Lexington Books
Pages: 252
Trim: 6 x 9
978-1-7936-0700-3 • Hardback • March 2020 • $105.00 • (£81.00)
978-1-7936-0702-7 • Paperback • March 2022 • $39.99 • (£31.00)
978-1-7936-0701-0 • eBook • March 2020 • $38.00 • (£29.00)
David G. LoConto is professor of sociology at New Mexico State University.
Part I: Foundations
Chapter One: The Importance of Narratives, Science Fiction and Star Trek
Chapter Two: Fandom
Part II: Star Trek Fandom, 1966-2019
Chapter Three: Symbolic Interaction, Resource Mobilization Theory and Fandom, 1966-1969
Chapter Four: Social Movement Societies and Fandom, 1970-1979
Chapter Five: From Social Movement Society to Stability, 1980-1989
Chapter Six: Cultural Diffusion and Changing Identity 1990-2001
Chapter Seven: The Long Road and Multiphrenia, 2001-2016
Chapter Eight: We Deserve a New Series! New Beginnings
Part III: Behavior and Star Trek Fandom
Chapter Nine: Collective Identity and Rituals at Conventions
Chapter Ten: I Cosplay Therefore I Am
Chapter Eleven: Power, Politics and the Fandom
Chapter Twelve: The Impact of Social and Digital Media on the Fandom
Part IV: Conclusions
Chapter Thirteen: The Future of Star Trek and its Fandom
As a longtime sociologist and Trekkie, I found a lot to learn from and enjoy in Social Movements and the Collective Identity of the Star Trek Fandom. Star Trek might seem like an incongruous entry into sociological concepts and theories, but nothing could be further from the truth. I have long sought ways to incorporate more science fiction into my courses, and here David G. LoConto has done it: Blumer meets the Borg, Cooley and Klingons, Mr. Spock with Dr. George Herbert Mead. Tracking the show and its fandom through the civil rights era to the social media moment, readers learn about identity, social groups, movements, cultural diffusion, multiphrenia, and more. It’s symbolic interactionism for the twenty-third century.
— Jonathan Wynn, University of Massachusetts Amherst
In this fascinating work, LoConto provides a comprehensive view of the Star Trek fandom from its inception to contemporary manifestations. LoConto is particularly insightful regarding nuances in the resources, politics, and perspectives of fans across different historical junctures. For fans as well as sociologists, Star Trek provides a remarkably fruitful lens through which to examine important social changes in the larger society. This book pulls together an impressive amount of history with original research of LoConto’s, notably the collection and analysis of fanzines, recollections of his time spent within the fandom, and thoughtful in-depth interviews with fans.
— Dana Fennell, University of Southern Mississippi