In Wingless Desire in Modernist Russia, Yelena Zotova argues that the concept of envy underwent a peculiar transformation in the Russian Modernist prose of the 1920s due to a series of radical shifts in societal values, with each subsequent change thwarting Russia’s volatile axiological hierarchy. Industriousness and austerity, inferior to playful genius in Pushkin’s “Mozart and Salieri,” became virtues, while the intrinsic value of nonutilitarian art was officially nullified by the Bolshevik state.Consequently, a new literary type emerged, and envy, described as “wingless desire” by Russia’s chief poet Alexander Pushkin, obtained new ownership as the envied became the envier. Superimposing twentieth-century theories of envy onto Mikhail Bakhtin’s “Author and Hero in the Aesthetic Activity” (1923), Zotova proposes that Salieri’s envy could be the wingless embryo of the Bakhtinian authorship.
Dr. Yelena Zotova is associate teaching professor at The Pennsylvania State University.
Table of Contents
A Note on Translation and Transliteration
List of Abbreviations
Introduction: The Hermeneutic Challenge of Envy
Chapter 1: When Author Envies Hero
Chapter 2: Wingless Desire: Mozart and Salieri as Author and Hero
Chapter 3: A Purgatory for the Hero: Iurii Olesha’s Envy
Chapter 4: The Author in Hades: Konstantin Vaginov
Chapter 5: The Surplus of Vision in the Works of Alexander Grin
Afterword: Envy, Conscience, and Taste
About the Author
A timely, well-researched, and thought-provoking work on an understudied topic, Wingless Desire weaves together psychology and literary theory to analyze the theme of envy in Russian literature. Combining a broad scope with nuanced close readings of key texts, this book traces a line from Pushkin’s nineteenth-century classic, Mozart and Salieri, to the twenty-first-century events in the Crimea. Literary scholars will find the readings of the texts illuminating, while scholars of Russian culture and politics will find the connections drawn between literature and life eye-opening.
Tracing envy as an archetypal motif in nineteenth- through twentieth-century Russian fiction, Yelena Zotova juxtaposes diverse literary and philosophical approaches—namely, Rene Girard’s notion of the novel as modeling and overcoming mimetic desire and Bakhtin’s personalist claim that creative answerability affirms the ‘I’ by addressing the Other as subject, not an object of desire. Likewise, Zotova unexpectedly synthesizes Russian personalism with the neo-Kantian philosophical school. Envy as a literary motif helps the reader overcome its curse haunting us in real life. Zotova fully reveals fiction’s power to attain this catharsis.