The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films

Courtney Patrick-Weber

In The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films, Courtney Patrick-Weber argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in a number of ways, even as many people believe the shift toward medicalization has improved conditions for pregnant people. Patrick-Weber analyzes a selection of horror films, including The Void and Black Christmas, to demonstrate not only evidence of this trauma on a visceral level, but also how horror films can reflect and contribute to cultural conversations surrounding pregnancy and childbirth. While horror films are often neglected as vital sources of intellect and analysis, many of these films use their subversive viewpoints on cultural issues to offer a unique perspective that can ultimately help to shape the way society views them. Patrick-Weber reminds us that pregnancy and childbirth can be traumatic events, both physically and emotionally, as she discusses the current conversations surrounding the issue and critiques the “advancement” of medicalization. Scholars of film studies, gender studies, rhetoric, and medicine may find this book particularly useful.

Lexington Books

Pages: 102 • Trim: 6 x 9

978-1-7936-0280-0 • Hardback • June 2020 • $80.00 • (£52.95)

978-1-7936-0281-7 • eBook • June 2020 • $76.00 • (£49.95) (coming soon)

Subjects: Performing Arts / Film / History & Criticism, Language Arts & Disciplines / Rhetoric, Social Science / Gender Studies, Social Science / Media Studies, Social Science / Women's Studies, Performing Arts / Film / Genres / Horror

The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films

Hardback

Summary

In The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films, Courtney Patrick-Weber argues that the medicalization of pregnancy and childbirth traumatizes pregnant people in a number of ways, even as many people believe the shift toward medicalization has improved conditions for pregnant people. Patrick-Weber analyzes a selection of horror films, including The Void and Black Christmas, to demonstrate not only evidence of this trauma on a visceral level, but also how horror films can reflect and contribute to cultural conversations surrounding pregnancy and childbirth. While horror films are often neglected as vital sources of intellect and analysis, many of these films use their subversive viewpoints on cultural issues to offer a unique perspective that can ultimately help to shape the way society views them. Patrick-Weber reminds us that pregnancy and childbirth can be traumatic events, both physically and emotionally, as she discusses the current conversations surrounding the issue and critiques the “advancement” of medicalization. Scholars of film studies, gender studies, rhetoric, and medicine may find this book particularly useful.

Details

Lexington Books

Pages: 102 • Trim: 6 x 9

978-1-7936-0280-0 • Hardback • June 2020 • $80.00 • (£52.95)

978-1-7936-0281-7 • eBook • June 2020 • $76.00 • (£49.95) (coming soon)

Subjects: Performing Arts / Film / History & Criticism, Language Arts & Disciplines / Rhetoric, Social Science / Gender Studies, Social Science / Media Studies, Social Science / Women's Studies, Performing Arts / Film / Genres / Horror

Author

Courtney Patrick-Weber is assistant professor of rhetoric and composition at Bay Path University.

Table of Contents

Foreword

Chapter 1: Defining Horror as a Rhetorical Genre

Chapter 2: Horror Films and the Medicalization of Pregnancy and Childbirth

Chapter 3: The Void and the Medicalized Rhetoric of Stillbirth

Chapter 4: The Rhetoric of Home Birth, Containment, and Expertise in À l'intérieur (2007) and Inside (2016)

Chapter 5: Abortion and the Rhetoric of Choice in Black Christmas (1974) and Red Christmas (2016)

Bibliography and Filmography

About the Author

Reviews

Courtney Patrick-Weber offers a welcome new perspective on horror films that deal with the myriad ways that pregnancy and birth are bound up within medicine, law, and politics. By focusing on the rhetorical framing of issues such as risk and choice, and their role in narratives of trauma and loss, Weber highlights how popular culture might interrogate our assumptions about bodies, power and agency.
— Erin Harrington, University of Canterbury

While horror films have long attended to the female body, Patrick-Weber’s analysis provides a useful exploration of the ways the pregnant female body is rendered through the rhetoric of medical technology. Patrick-Weber delves into the complex relationships between gender, science, and horror and produces a series of provocative case studies. This thoughtful volume is a useful addition to conversations about contemporary horror films.
— Kendall R. Phillips, Syracuse University

The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films

Courtney Patrick-Weber

The Rhetoric and Medicalization of Pregnancy and Childbirth in Horror Films

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