Rowman & Littlefield Publishers
Pages: 256
Trim: 6 x 9
978-1-78660-709-6 • eBook • December 2022 • $45.00 • (£29.00) (coming soon)
Pippa Marland, Lecturer in English Literature at the Universities of Bristol and Worcester, UK
Acknowledgements / Key to Brenda Chamberlain archive referencing / List of Figures /
Figure 1: Map of the islands / Introduction / Part I: Performing the ‘good step’ on Árainn: the advent of psycho-archipelagraphy in Tim Robinson’s Aran diptych / Section introduction, including short account of natural and cultural history of the island / 1. The ‘good step’: island scale, island dwelling / 2. Psycho-archipelagraphy and performing the island / Part II: Choreographies, chorographies, and twenty thousand saints: the multiple islandnesses of Bardsey (Ynys Enlli) / Section introduction / 3. Brenda Chamberlain’s Tide race / 4. Christine Evans’ Island of Dark Horses / Part III: ‘Untrue island’, inland island: palimpsests of islandness in Orford Ness and the Isle of Dogs / Section introduction / 5. ‘The emptiness within and the emptiness without’: melancholy resistance in W.G. Sebald’s The Rings of Saturn / 6. Reading the Isle of Dogs through North Uist, in Stephen Watts’ Republic of Dogs / Republic of Birds / Part IV: Islands at the edge of the world: the outliers of the Outer Hebrides in the work of Adam Nicholson, Kathleen Jamie, and Robert Macfarlane / Section introduction / 7. Continuities and flux / 8. Signs of strangeness on a posthuman planet / Conclusion