Freedom and Negativity in Beckett and Adorno

Something or Nothing

Natalie Leeder

Since his notorious 1961 lecture, 'Trying to Understand Endgame', Theodor W. Adorno's name has been frequently coupled with that of Samuel Beckett. This book offers a radical reappraisal of the intellectual affinities between these two figures, whose paths crossed all too fleetingly. Specifically the book argues for a preoccupation with the concept of freedom in Beckett's works - one which situates him as a profoundly radical and even political writer. Adorno's own more explicit reconceptualization of freedom and its scarcity in modernity offers a unique lens through which to examine the way Beckett's works preserve a minimal space of freedom that acts in opposition to an unfree social totality. While acknowledging both the biographical encounters between Adorno and Beckett and the influence Beckett's writings had on Adorno's aesthetics, Natalie Leeder goes further to establish a dialogue between their intellectual positions, working with a range of texts from both writers and seeking insight in Adorno's less familiar works, as well as his magnum opera, Aesthetic Theory and Negative Dialectics.

Rowman & Littlefield International

Pages: 234 • Trim: 6 x 8¾

978-1-78660-319-7 • Hardback • May 2017 • $133.00 • (£85.00)

978-1-78660-320-3 • Paperback • November 2018 • $24.95 • (£15.95)

978-1-78660-321-0 • eBook • May 2017 • $23.50 • (£15.95)

Series: Founding Critical Theory

Subjects: Philosophy / Movements / Critical Theory, Philosophy / Movements / Existentialism, Literary Criticism / Critical Theory / Postmodernism

Freedom and Negativity in Beckett and Adorno

Something or Nothing

Hardback

Paperback

eBook

Summary

Since his notorious 1961 lecture, 'Trying to Understand Endgame', Theodor W. Adorno's name has been frequently coupled with that of Samuel Beckett. This book offers a radical reappraisal of the intellectual affinities between these two figures, whose paths crossed all too fleetingly. Specifically the book argues for a preoccupation with the concept of freedom in Beckett's works - one which situates him as a profoundly radical and even political writer. Adorno's own more explicit reconceptualization of freedom and its scarcity in modernity offers a unique lens through which to examine the way Beckett's works preserve a minimal space of freedom that acts in opposition to an unfree social totality. While acknowledging both the biographical encounters between Adorno and Beckett and the influence Beckett's writings had on Adorno's aesthetics, Natalie Leeder goes further to establish a dialogue between their intellectual positions, working with a range of texts from both writers and seeking insight in Adorno's less familiar works, as well as his magnum opera, Aesthetic Theory and Negative Dialectics.

Details

Rowman & Littlefield International

Pages: 234 • Trim: 6 x 8¾

978-1-78660-319-7 • Hardback • May 2017 • $133.00 • (£85.00)

978-1-78660-320-3 • Paperback • November 2018 • $24.95 • (£15.95)

978-1-78660-321-0 • eBook • May 2017 • $23.50 • (£15.95)

Series: Founding Critical Theory

Subjects: Philosophy / Movements / Critical Theory, Philosophy / Movements / Existentialism, Literary Criticism / Critical Theory / Postmodernism

Author

Natalie Leeder completed her PhD at Royal Holloway, University of London.

Table of Contents

Introduction / 1. Freedom and Its Limits / 2. The Illusion of Freedom and the Freedom of Illusion / 3. The Scars of Evil / 4. Virtual Freedom / 5. Metaphysics / Epilogue: Literary Modernity and Critical Theory / Bibliography / Index

Freedom and Negativity in Beckett and Adorno

Something or Nothing

Natalie Leeder

Freedom and Negativity in Beckett and Adorno

Something or Nothing

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