Rowman & Littlefield Publishers / Rowman & Littlefield International
Pages: 136
Trim: 5¾ x 9
978-1-78660-017-2 • Hardback • August 2017 • $154.00 • (£119.00)
978-1-78660-018-9 • Paperback • August 2017 • $53.00 • (£41.00)
978-1-78660-019-6 • eBook • August 2017 • $50.00 • (£38.00)
Floriana Bernardi is a Visiting Researcher at the School of Journalism Media and Cultural Studies, Cardiff University, UK.
Introduction/ 1. Who is Saviano? Undecidability of an Intellectual-Popstar/ 2. Gomorrah: Event, (Con)Text, Reviews/ 3. Disseminations: the End Justifies the Media/ 4. People Have the Power: OltreGomorra and the Network Society/ Bibliography/ Index
In a detailed analysis of the media constructions and framing of Roberto Saviano’s Gomorrah, Floriana Bernardi semiotically confronts the globally entangled politics and power of crime and corruption. Passionately argued, this incisive book contests the entrenched conservatism of Italian literary culture, finding in the deliberate discontinuity of the figure of Saviano an organic intellectual exposing the cultural and political crisis of the present.
— Iain Chambers, Professor of Cultural and Postcolonial Studies at the Oriental University in Naples, Author of Culture After Humanism
Bernardi provides an authoritative and comprehensive account of the Saviano phenomenon that extends beyond either the content or critical success of Gomorrah to the author’s status as intellectual, celebrity, popular icon and symbol of protest, demonstrating in the process the author’s significant impact on Italian culture and politics through his interventions in journalism, television, radio, theatre, cinema and the Web.
— Federico Bonaddio, Senior Lecturer, King’s College London
Bernardi offers a very interesting perspective on the case of Roberto Saviano, analysing his figure as a writer, citizen journalist, and phenomenon of mass culture. Italy Beyond Gomorrah provides an original analysis of contemporary Italian culture in the international scenario.
— Patrizia Calefato, Professor of Sociology of Culture and Communication at the University of Bari Aldo Moro
Beyond Gomorrah is a compelling inquiry into the contemporary phenomena of author-branding. In her analysis of Roberto Saviano’s public persona and the transmedia narratives that originated from his best-selling book, Bernardi engages with major figures in cultural studies and philosophy, including Hall, Foucault, and Derrida. Beyond Gomorrah, Bernardi’s book is a timely contribution to the debate on intellectual engagement in the Third Millenium.
— Paola Bonifazio, Associate Professor of Italian, The University of Texas at Austin
Who is Roberto Saviano? Those interested in learning (more) about the complexity of the ‘Saviano Phenomenon’ find answers in this interdisciplinary study that scrutinizes Saviano’s transmedia interventions, his often-controversial engagement with civic issues, his national and global appeal. The author offers a thought-provoking analysis of this key intellectual figure and his impact on the contemporary Italian cultural scene.
— Lucia Rinaldi, Senior Teaching Fellow, University College London
This book is an original look at the Gomorrah cultural mass phenomenon, and at Roberto Saviano as a new example of a transmedia intellectual. It reconfigures and complicates the one-sided dimension through which Gomorrah and Saviano have been generally considered and discussed to date, particularly in Italy. Bernardi’s analysis of Saviano’s alterdisciplinary work compellingly shows how new forms of intellectual and critical engagement are possible within the contemporary multimedia ecosystem.
— Pierpaolo Antonello, Head of Italian Department, University of Cambridge
A timely and captivating reading of Roberto Saviano as a writer and media phenomenon, this book brilliantly illuminates how, after the publication of his bestseller Gomorrah (2006), Saviano’s persona developed through the agency of literature and the relevance of his transmedia work, redefining values such as legality, ethical and political responsibility, and the figure and task of the modern intellectual.
— Marco Paoli, Lecturer in Italian and Film Studies at the University of Liverpool
The case of Roberto Saviano as “hero”, “pop star”, “brand”, “media phenomenon” etc., as intelligently
analysed by Bernardi in her book, should not only interest scholars working on social semiotics and
cultural studies. It should also or especially be read and considered by scholars interested in the
public role of intellectuals, and particularly in the public role of sociologists and criminologists.
— Criminal Law and Criminal Justice Books