Rowman & Littlefield Publishers / Rowman & Littlefield International
Pages: 216
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Trim: 6⅜ x 9¼
978-1-78348-262-7 • Hardback • October 2018 • $142.00 • (£109.00)
978-1-78348-263-4 • Paperback • June 2020 • $45.00 • (£35.00)
978-1-78348-264-1 • eBook • October 2018 • $42.50 • (£35.00)
Anindya Raychaudhuri is a Senior Lecturer in English at the University of St Andrews. His research interests include postcolonial and diasporic identities and cultures, cultural representation and collective memory of war and conflict, critical theory and Marxism. He is the author of Narrating Partition: Oral History, Literature, Cinema (OUP, 2019). In 2016, he was named one of the BBC/AHRC New Generation Thinkers.
Acknowledgments / Preface / Introduction - “Ich Will Heim”: Nostalgia and the Radical Possibilities of Homemaking / Chapter 1 - “Doubly Expatriated”: Duleep Singh and the Politics of Nostalgia / Chapter 2 – A Teacher, a Factory-Worker, and a “Battered” Housewife: Rebellious Nostalgias, Nostalgias of Rebellion / Chapter 3 - Aloo-gobi, Mangoes and a Small Aubergine: Food, Foodscapes and Nostalgia / Chapter 4 – “Straight from the Village”: Diasporic Public Spaces and the Heterotopias of Nostalgia / Chapter 5 – Salaam, London: Bollywood, Wish Fulfilment, and the Fictive Geographies of the Diaspora / Chapter 6 - Making Yourself at Home: Homemaking and Diasporic Asian Broadcasting / Conclusion - Going Back Home: Looking Backwards, Looking Forwards. / Bibliography
Raychaudhuri’s work on South Asian diasporic nostalgia is an invaluable contribution to memory studies that deals with topics as diverse as Brexit, BBC Asian broadcasting, and diasporic literature. Moving from experiences of the everyday – like food – to historical figures, Raychaudhuri offers a sophisticated portrait of nostalgia’s radical potential to transform and challenge the idea of home.
— Churnjeet Mahn, Strathclyde Chancellor's Fellow, Department of English, the University of Strathclyde
Anindya Raychaudhuri’s theoretic scaffolding of the argument is unique, and promises to open new avenues for reading South Asian diasporic subjects and spaces. The stunning clarity of the argument is highlighted by a contextualized reading of diaspora in a contemporary, heightened, political climate of rising populist nationalism. And, it proves the validity of making such an argument across a range of cultural spaces spanning literature to print, visual, and digital media. Arguing against a well-rehearsed trend in South Asian diaspora studies to signal loss, nostalgia, or anti imperial struggles as inherently conservative, the book proposes a radical idea of progressive presence by re-reading the spatial and experiential vectors of home and not-home. Furthermore, by interrupting the customary practice of locating the analysis outside the “I,” it turns the lens on authorial presence as subjective, and as fully capable of theorizing while experiencing the complexities of being a diasporic herself. This adds an elegant, feminist anthropological element. While focusing mainly on England and Brexit to read diaspora in the 21st century, the book offers literary analyses of diasporic novelists whose characters return fleetingly to homelands while pivoting smoothly to the nativist point of view and the clamoring of nationalists against unwelcome others in the press and on social media. To a lesser degree, the book’s analytical arc also explores Trump’s America and other European nations faced with the reality of global flows of peoples across borders and cultures. The final gesture of nuancing the randomness of immigrant lives located in the crosshairs of ephemeral and agentive, diasporic presence, is, indeed remarkable.
— Gita Rajan, Professor of English, Fairfield University
The idea of nostalgia is interrogated and offered in terms of a critical hermeneutics across actual and imagined places where fiction, cinema, foodscapes, cultural geographies and other popular cultures across Britain and South Asia interact. In doing so, a rich set of examples are offered to illuminate the diasporic condition as transformative, complex and one that we can all learn from.— Rajinder Dudrah, Professor of Cultural Studies and Creative Industries, Birmingham School of Media, Birmingham City University
Explores the concept of nostalgia from its roots in early theories of psychiatry to contemporary usage in critical theory.
Engages with Marxist and Postcolonial theory to offer a reconceptualization of the way nostalgia works in diasporic communities.
An interdisciplinary account of south Asian diaspora in the UK and the US through film, food, space, architecture and religion.
Uses examples from a literary and visual culture including Brick Lane by Monica Ali, the film Bend it like Beckham and the sketch-show Goodness Gracious Me