Padula is a fascinating figure, and Francese has done a wonderful job of bringing him to life and of making the case for [. . .] Il Bruzio as bearer of a previously unheard voice of the South. [. . .] Francese is careful not to underestimate the paternalism of Padula’s strategy, at the same time he underscores the rarity of such a device, and the respect it confers onto the woman’s voice, however ventriloquized it might be.
— Barbara Spackman, UC Berkeley, Cecchetti Chair in Italian Literature
Francese’s work is an important contribution to Italian studies, specifically to the study of the cultural and social structures of the Mezzogiorno as represented in its Calabrian historical context. It is especially significant in the way it concretely details, through the study of Vincenzo Padula’s work, the intricate and complex problems attendant upon Italian unification. Padula’s work underlines the inherent contradictions of a state that asserts liberalism—equal rights and due process of law—while simultaneously buttressing the parasitic preeminence of Southern elites.
— Italian Culture
The Unpopular Realism of Vincenzo Padula: Il Bruzio and Mariuzza Sbrìffiti offers an effective and precious portrait of a still relatively understudied reality of the South in post-Unification Italy through the voice of Vincenzo Padula and his short-lived periodical, Il Bruzio. Published in Cosenza from March 1864 to July 1865, this publication, founded and almost entirely written by Vincenzo Padula, traces a powerful picture of the dynamics in place within the Southern social structure (old nobility, “galantuomini,” and peasants), as well as between this society and the new “Piedmontese” administration. Joseph Francese’s book, thanks also to a lively prose and the engaged voice of its author, offers a rich and enjoyable study of Vincenzo Padula’s work, pointing out its denunciation of exploitation of the peasantry and of corruption on the part of the higher classes and its call for social reform.
— Annali D'Italianistica
Joseph Francese has added an important new monograph to his works that have given impetus to Italian Studies in recent decades. [This] new book represents a critical addition to the bibliography on the post-unitary debate, drawing our attention to a protagonist who had not received the attention he deserves until now.
— Recensioni - Revues des livres
Focusing on the literary, anthropological, and historical aspects of Padula’s writings, Francese’s book has the double merit of, first, presenting to an English- speaking audience a hardly known Italian intellectual and, second, of including him in the pantheon of Italian intellectual life
— Journal Of Modern Italian Studies
[This] book serves as an introduction to Padula. It is indeed a very good starting point for someone who wants to pursue more studies on this minor author. One can find, for example, many seeds for a post-colonial analysis of Il Burzio, which is out of Francese’s intentions even though he seeds a few hints here and there that could grow in a postcolonial reading. This monograph also has the advantage of being easily accessible, with precise and clear writing.
— South African Journal