Transmissions of Memory

Echoes, Traumas, and Nostalgia in Post–World War II Italian Culture

Edited by Patrizia Sambuco - Contributions by Adele Bardazzi; David W. Ellwood; John Foot; Torunn Haaland; Andrea Hajek; Incoronata (Nadia) Inserra; Charles L. Leavitt IV; Martin McLaughlin; Sandra Parmegiani; Katia Pizzi; Patrizia Sambuco and Maria Cristina Seccia

Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products—films, poetry, fiction, architectural buildings, autobiographical writing, and social media—to individuate through them the dynamics of memory. The field of analysis is Italian culture from World War II to the contemporary times, and the volume has in a gendered approach one of its focuses, offering an encompassing view on cultural memory and highlighting the similarities between gendered revisitation and revisitation of the past. The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia. In the chapters herewith the study of memory through these forms hints at a sense of transformation and often enrichment or resilience, individual or collective, that values more the present and the future rather than the past.

University Press Copublishing Division / Fairleigh Dickinson University Press

Pages: 236 • Trim: 6⅜ x 9½

978-1-68393-143-0 • Hardback • March 2018 • $123.00 • (£95.00)

978-1-68393-144-7 • eBook • March 2018 • $116.50 • (£90.00)

Series: The Fairleigh Dickinson University Press Series in Italian Studies

Subjects: Literary Criticism / European / Italian, Literary Criticism / Poetry, Literary Criticism / Subjects & Themes / Women

Transmissions of Memory

Echoes, Traumas, and Nostalgia in Post–World War II Italian Culture

Hardback

eBook

Summary

Transmissions of Memory: Echoes, Traumas and Nostalgia in Post-World War II Italian Culture discusses cultural products—films, poetry, fiction, architectural buildings, autobiographical writing, and social media—to individuate through them the dynamics of memory. The field of analysis is Italian culture from World War II to the contemporary times, and the volume has in a gendered approach one of its focuses, offering an encompassing view on cultural memory and highlighting the similarities between gendered revisitation and revisitation of the past. The volume is divided into three sections: cultural transmissions, fractured memories, and nostalgia. In the chapters herewith the study of memory through these forms hints at a sense of transformation and often enrichment or resilience, individual or collective, that values more the present and the future rather than the past.

Details

University Press Copublishing Division / Fairleigh Dickinson University Press

Pages: 236 • Trim: 6⅜ x 9½

978-1-68393-143-0 • Hardback • March 2018 • $123.00 • (£95.00)

978-1-68393-144-7 • eBook • March 2018 • $116.50 • (£90.00)

Series: The Fairleigh Dickinson University Press Series in Italian Studies

Subjects: Literary Criticism / European / Italian, Literary Criticism / Poetry, Literary Criticism / Subjects & Themes / Women

Author

Patrizia Sambuco is an independent scholar and editor of Italian Women Writers 1800-2000: Boundaries, Borders and Transgression (Fairleigh Dickinson University Press, 2015).

Table of Contents

Acknowledgments
Introduction

Section I: Memory as Cultural Transmission
1. Calvino, Eco and the Transmission of World Literature, Martin McLaughlin
2. Montale’s Xenia: Between Myth and Poetic Tradition, Adele Bardazzi
3. Repressed Memory and Traumatic History in Alberto Moravia’s The Woman of Rome, Charles L. Leavitt IV
4. Reconstructing the Maternal: Transmission of Memory, Cultural Translation and Transnational Identity in Igiaba Scego’s La mia casa è dove sono, Maria Cristina Seccia

Section II: Trauma and Divided Memory
5. At the Edge. Divided Memory on Italy’s Borders. The Case of Trieste and the Foibe di Basovizza, John Foot
6. Remembering War. Memory and History in Claudio Magris’s Blameless, Sandra Parmegiani
7. Blood, Sand and Stone: Trieste’s Transcultural Memories, Katia Pizzi
8. The Trauma of Liberation: Rape, Love and Violence in Wartime Italy, David W. Ellwood
9. Between Past and Present, Self and Other: Liminality and the Transmission of Traumatic Memory in Elena Ferrante’s La figlia oscura, Torunn Haaland

Section III: Memory as Nostalgia
10. Mother-Daughter Nostalgia in the Abruzzi of Donatella Di Pietrantonio, Patrizia Sambuco
11. A Future Without Nostalgia. Remembering Second-Wave Feminism in Mia madre femminista and Fra me e te, Andrea Hajek
12. Transnational Nostalgia in an All-Female Italian Facebook Group and Cooking Blog, Incoronata (Nadia) Inserra

About the Contributors