Writing for Inclusion

Literature, Race, and National Identity in Nineteenth-Century Cuba and the United States

Karen Ruth Kornweibel

Writing for Inclusion is a study of some of the ways the idea of national identity developed in the nineteenth century in two neighboring nations, Cuba and The United States. The book examines symbolic, narrative, and sociological commonalities in the writings of four Afro-Cuban and African American writers: Juan Francisco Manzano and Frederick Douglass, fugitive slaves during mid-century; and Martín Morúa Delgado and Charles W. Chesnutt from the post-slavery period. All four share sensitivity to their imperfect inclusion as full citizens, engage in an examination of the process of racialization that hinders them in seeking such inclusion, and contest their definition as non-citizens. Works discussed include the slave narratives of Manzano and Douglass, Manzano’s poetry and play Zafira, andDouglass’s oratory and novella The Heroic Slave. Also considered, within the context provided by Manzano and Douglass, are Morúa and Chesnutt’s non-fiction writings about race and nation as well as their second-generation “tragic mulata” novels Sofía and The House Behind the Cedars. Based on an examination of the works of these four authors, Writing for Inclusion provides a detailed examination of examples of self-emancipation, the authors’ symbolic use of language, their expression of social anxieties or irony within the quest for recognition, and their arguments for an inclusive vision of national identity beyond the quagmires of race. By focusing on the process of racialization and ideas of race and national identity in a comparative context, the study seeks to highlight the artificial and contested nature of both terms and suggest new ways to interrogate them in our present day.

University Press Copublishing Division / Fairleigh Dickinson University Press

Pages: 174 • Trim: 6¼ x 9

978-1-68393-097-6 • Hardback • September 2018 • $111.00 • (£85.00)

978-1-68393-099-0 • Paperback • July 2021 • $44.99 • (£35.00)

978-1-68393-098-3 • eBook • September 2018 • $42.50 • (£35.00)

Subjects: Literary Criticism / American / African American, Literary Criticism / Caribbean & Latin American, Literary Criticism / Comparative Literature

Writing for Inclusion

Literature, Race, and National Identity in Nineteenth-Century Cuba and the United States

Hardback

Paperback

eBook

Summary

Writing for Inclusion is a study of some of the ways the idea of national identity developed in the nineteenth century in two neighboring nations, Cuba and The United States. The book examines symbolic, narrative, and sociological commonalities in the writings of four Afro-Cuban and African American writers: Juan Francisco Manzano and Frederick Douglass, fugitive slaves during mid-century; and Martín Morúa Delgado and Charles W. Chesnutt from the post-slavery period. All four share sensitivity to their imperfect inclusion as full citizens, engage in an examination of the process of racialization that hinders them in seeking such inclusion, and contest their definition as non-citizens. Works discussed include the slave narratives of Manzano and Douglass, Manzano’s poetry and play Zafira, andDouglass’s oratory and novella The Heroic Slave. Also considered, within the context provided by Manzano and Douglass, are Morúa and Chesnutt’s non-fiction writings about race and nation as well as their second-generation “tragic mulata” novels Sofía and The House Behind the Cedars. Based on an examination of the works of these four authors, Writing for Inclusion provides a detailed examination of examples of self-emancipation, the authors’ symbolic use of language, their expression of social anxieties or irony within the quest for recognition, and their arguments for an inclusive vision of national identity beyond the quagmires of race. By focusing on the process of racialization and ideas of race and national identity in a comparative context, the study seeks to highlight the artificial and contested nature of both terms and suggest new ways to interrogate them in our present day.

Details

University Press Copublishing Division / Fairleigh Dickinson University Press

Pages: 174 • Trim: 6¼ x 9

978-1-68393-097-6 • Hardback • September 2018 • $111.00 • (£85.00)

978-1-68393-099-0 • Paperback • July 2021 • $44.99 • (£35.00)

978-1-68393-098-3 • eBook • September 2018 • $42.50 • (£35.00)

Subjects: Literary Criticism / American / African American, Literary Criticism / Caribbean & Latin American, Literary Criticism / Comparative Literature

Author

Karen Ruth Kornweibel is associate professor of English in the Department of Literature and Language at East Tennessee State University.

Table of Contents

Acknowledgments
1. Reflections on Afro-Cuban and African American Discourses of Identity
2. Countering Negation in Juan Francisco Manzano and Frederick Douglass’s Early Texts and Patronage Relationships
3. Common Narrative Threads in the Autobiografía de Juan Francisco Manzano and Narrative of the Life of Frederick Douglass, An American Slave
4. The Discourse of the Future Citizen in the Nonfiction of Martín Morúa Delgado and Charles W. Chesnutt
5. Generating the Future Citizen in Morúa Delgado’s Sofía and Chesnutt’s The House Behind the Cedars
6. Epilogue
BibliographyIndex
About the Author

Reviews

The comparative turn in American studies has allowed scholars to uncover the workings of identity formations across borders of nation and personhood, and to interrogate their common conceptions and assemblages, to use Alexander Weheylie’s term. Kornweibel (East Tennessee State Univ.) follows in this vein as she studies the connections between race and national identity through a cross-cultural comparison of writers from Cuba and the US. She places fugitive slaves Juan Francisco Manzano and Frederick Douglass in dialogue along with post-slavery writers Martin Morua Delgado and Charles Chesnutt so that she can trace their arguments against racialization as a rationale for exclusion from national identities. Kornweibel is adept in discussing these authors’ fictions and nonfiction writings and analyzing their use of language to symbolically express the social anxieties behind the lack of recognition afforded Afro-Cuban and African Americans in their respective lands, and to contest their placement as noncitizens and articulate their humanity as grounds for inclusion in their social arenas. Writing for Inclusion should appeal to scholars of African American and American studies for its engagement with race and nation across the diaspora.

Summing Up: Recommended. Graduate students, researchers, faculty.
— Choice Reviews