Acknowledgments
Introduction
Part One: Contextualising the Antiheroine Figure in Western Literary History
Chapter One: Archetypes, Heroes, and the Mythic Origins of the Antiheroine Figure
Chapter Two: Literary vs Television Iterations and an Ever-Evolving Definition
Chapter Three: Exploring the Antiheroine’s Literary Ancestor: Nineteenth and Early Twentieth-Century Notions of Transgression
Chapter Four: Politicising the Personal: The Antiheroine and the Women’s Liberation Movement
Part Two: The Gothic Antiheroine: Defying Deviancy
Chapter Five: The Female Gothic and its Fresh Façade
Chapter Six: Navigating the Antiheroine’s Internalised Misogyny: The Transformative Power of Female Friendship in Cat’s Eye and The Robber Bride
Chapter Seven: Engaging with the Gothic: Domestic Spaces, Female Friendships, and the Weaponisation of Motherhood in The Woman Upstairs, The Paper Wasp and Eileen
Part Three: Serial Killers, Abject Wives, and Avenging Punks: The Antiheroine’s Negotiation of Patriarchal Cycles of Violence in Crime-Thriller Fiction
Chapter Eight: Rewriting the Victim Narrative and the Impact of Millennium
Chapter Nine: ‘Three, and they label you a serial killer’: Questions of Gender and Violence in My Sister, the Serial Killer
Chapter Ten: The Maiming of the Body: Lisbeth, Amy, and Camille
Chapter Eleven: Breaking the Cycle of Patriarchal Violence: Sisterly Rivalry, the New Femme Fatale, and Lisbeth Reborn in David Lagercrantz’s Millennium
Conclusion
Works Cited
About the Author