Acknowledgments
Introduction: Narrating Nature from the City
Part I: Between Academia and Activism
Chapter 1: Miquel Crusafont and Sabadell: Narratives about Paleontology (Spain, 1950‒1973)
Chapter 2: Environmentalism in Transition
Part II: Between Knowledge and Entertainment
Chapter 3: Wild at Heart: Zoological Gardens and the Urban Space
Chapter 4: Mass Media and Urban Animals in History: The View from Interwar Britain
Chapter 5: Teaching and Tinkering with Personal Computers in Catalan Rural Schools and Summer Camps (Spain, 1980s‒1990s)
Part III: Between Film and Literature
Chapter 6: The Countryside in the Frame: Film Representations of Nature under Franco’s Dictatorship
Chapter 7: Hunting Narratives in Twentieth-Century Spain: The Case of Miquel Delibes
Chapter 8: From El Modena to Terminator: Imagining Green Utopian Places for the Anthropocene
Part IV: Between Natural History and Television
Chapter 9: Percy Smith: The Triple Liminality of an Urban Natural History Filmmaker in Interwar Britain
Chapter 10: The Granada TV and Film Unit at the London Zoo: “Creating Adequate Opportunity for Observing Patterns for Amateur and Professional Zoologists Alike”
Chapter 11: Televising Nature as Modernization: El Hombre y la Tierra (Man and the Earth, 1974‒1981) in 1970s Spain
Afterword: City of Silence, City of Stories: Or of Ghosts, Doors, and Subversion
About the Contributors