Preface
Introduction Tom Dolack
Chapter 1: Pushkin's “The Stationmaster”: Morality Meets Sexual Selection David Bethea
Chapter 2: Flow and Selfhood in Leo Tolstoy's Anna Karenina: A Case Study of the Mowing Scene David S. Danaher
Chapter 3: Facial Imagery, Reader Visualization, and the Visual Ethics of War and Peace Sarah B. Mohler
Chapter 4: A Multilevel Cognitive Approach to Pushkin Tom Dolack
Chapter 5: Staying Imperturbable in the Face of Fate: Alexander Pushkin’s Gothic Stories Conveying the Code of Honor in the Face of the Supernatural Ekaterina Chelpanova
Chapter 6: (Un)Reading and the “Gappiness” of Context: Towards a New Cognitive Reception Theory Katherina B. Kokinova
Chapter 7: Re-Visioning Despair: The Medical Gaze in Sologub’s The Petty Demon Kelly Knickmeier Cummings
Chapter 8: Autism in Nabokov’s The Defense Brett Cooke
Chapter 9: Provocation and Pre-Diction: Terrorist Realism as a Narrative Mode in the Russian Imperium’s Prose 1862-1914 (Particularly in Andrei Bely’s Petersburg, 1913) Michał Mrugalski
Chapter 10: Mass Shooters as Underground Men of the 21st Century Irina Meier
Chapter 11: Russian Cognitive Approaches for Studying Genres of Contemporary Electronic Communication: Interpreting “Sincere Conversations” in New Media Anna Novikova and Julia Lerner
Chapter 12: Dream (Re)Interpretation: Metaphors and Story Schemas in Meaning Creation Anna A. Lazareva
Chapter 13: Intersections between Language, Social Norms, and Individual Cognition in Natalya Baranskaya’s A Week like Any Other Angelina Rubina
Chapter 14: Cognitive Aspects of Deixis and Semantic Poetics of Anna Akhmatova and Joseph Brodsky Denis Akhapkin
About the Contributors