R&L Logo R&L Logo
  • GENERAL
    • Browse by Subjects
    • New Releases
    • Coming Soon
    • Chases's Calendar
  • ACADEMIC
    • Textbooks
    • Browse by Course
    • Instructor's Copies
    • Monographs & Research
    • Reference
  • PROFESSIONAL
    • Education
    • Intelligence & Security
    • Library Services
    • Business & Leadership
    • Museum Studies
    • Music
    • Pastoral Resources
    • Psychotherapy
  • FREUD SET
Cover Image
Hardback
eBook
share of facebook share on twitter
Add to GoodReads

The Historical Arthur and The Gawain Poet

Studies on Arthurian and Other Traditions

Andrew Breeze

The Historical Arthur and The Gawain Poet: Studies on Arthurian and Other Traditions delves into the origins of Arthur and reveals the author of the famous Gawain Manuscript. Its first part contains evidence for the Arthur of film and legend as a real person, a Celtic commander (not a king) who fought battles in North Britain during the terrible volcanic winter of 536-7, before dying a hero's death in a conflict on Hadrian's Wall. Its second part moves on to Sir Gawain and the Green Knight, an Arthurian poem on magic, near-death, and near-seduction. Its author has always been unknown, but Dr. Breeze uses arguments of the US scholar Ann W. Astell to date the text to 1387 and name the poet as Sir John Stanley (d. 1414), a Cheshire and Lancashire grandee. He can now be recognized as an artist of genius, comparable to Chaucer himself. What is said in this book on John Stanley and his circle thus allows the greatest advance in Arthurian Studies since 1934, when Walter Oakeshott discovered the Winchester Malory amongst manuscripts of an English school library.

  • Details
  • Details
  • Author
  • Author
  • TOC
  • TOC
  • Reviews
  • Reviews
Lexington Books
Pages: 164 • Trim: 6¼ x 9½
978-1-66692-954-6 • Hardback • February 2023 • $95.00 • (£73.00)
978-1-66692-955-3 • eBook • January 2023 • $45.00 • (£35.00)
Series: Studies in Medieval Literature
Subjects: Literary Criticism / Poetry, Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Criticism / Fairy Tales, Folk Tales, Legends & Mythology

Andrew Breeze is professor of philology at the University of Navarra.

Preface

Part 1: Arthur

Chapter One: The Historical Arthur

Chapter Two: Arthur Dux Bellorum and Welsh Penteulu "Chief of the Royal Warband"

Part Two: The Gawain Poet and His School

Chapter Three: Was Sir John Stanley (d. 1414) the Gawain Poet?

Chapter Four: 1387: Year of Sir Gawain and the Green Knight

Chapter Five: Sir Gawain and the Green Knight Predates Pearl

Chapter Six: Italy, Pearl, St Erkenwald, and Sir William Stanley

Chapter Seven: Place-Names and Politics in The Awntyrs off Arthure

Bibliography

About the Author

One of the most well-known—if often neglected mythological traditions—is the collection of King Arthur stories. Although the stories themselves are often set in the world of the high or late Middle Ages, it is generally assumed tat the historical Arthur was a Romanized Celtic Christian king who resisted pagan Saxon invasions of Great Britain. Over time, in popular understanding, Arthur’s narrative was imbued with various mythic elements and the ornaments and aesthetics (as well as the technology) of the High Middle Ages, making the Arthur we know today. However, in his recent work, The Historical Arthur and the Gawain Poet, Andrew Breeze of the University of Navarra attempts to topple this popular view, providing a historically accurate but nonetheless fascinating portrait of Arthur.


— VoegelinView


These well-argued essays address some of the most contentious questions in mediaeval literary history, including the historicity of King Arthur and the authorship of Sir Gawain and the Green Knight. Problems like these demand a combination of historical, literary, and linguistic abilities rarely found together in this age of specialization. Fortunately Andrew Breeze has those abilities, and is widely read and unfailingly lucid too. Anyone who wants from now on to dissent from the views he expresses here is going to have to be able to show why.


— Peter Field, Bangor University


Based upon his broad scholarship and his command of languages and history, Professor Breeze convincingly affirms the historicity of Arthur and presents a compelling argument identifying Sir John Stanley as the most likely candidate to be the Gawain poet. This book, written with Professor Breeze's characteristic verve and engaging wit, is fundamental reading for anyone interested in the date and place of composition of the four major works attributed to the Gawain poet.


— Prof. Jerome Mandel, Professor Emeritus, Tel Aviv University


The author constructs a satisfying detective story that pinpoints the year when one of the most admired of medieval poems was written. At the same time, the detective homes in on the poet’s identity and motives. This transforms the way in which we can regard the literary scene of the day.


— Christopher Howse, Assistant Editor, The Daily Telegraph


Andrew Breeze is a rare example of an academic who is brave enough to court controversy. Over the last three decades, his scholarly detective work has challenged established assumptions about the authorship of significant medieval literary and historical works. The Historical Arthur and the 'Gawain' Poet is no exception. This exciting new book makes not one but two major claims. The first concerns the identity of the historical British military leader behind the legendary figure of King Arthur. The second reassesses the authorship and date of Sir Gawain and the Green Knight. I would encourage everyone interested in Arthurian literature to read the volume and to judge for themselves the evidence and arguments.


— Diane Watt, University of Surrey


A fascinating exercise in historical and literary detective work, with incisive commentary on previous research and frequent penetrating insights. Our thoughts on Arthur of Britain and the Gawain poet will never be quite the same again.


— Rory McTurk, Professor Emeritus of Icelandic Studies, University of Leeds


Andrew Breeze’s latest work is an important contribution to Medieval scholarship in that it prompts interesting discussions, perhaps even arguments. He makes bold claims about the authorship of canonical texts, such as Sir Gawain and the Green Knight and St. Erkenwald, and meticulously reviews the historical evidence. By means of an extensive detailing of historical events, Breeze connects Gawain to the Stanleys of Cheshire, circa 1380s. He establishes the historical Arthur as a North Briton who was both a war hero and dux bellorum, a position of “supreme trust” in the fourteenth century (17). The research argues that Arthur was real, but not Roman and not a king. Our imaginings of King Arthur are due to generations of oral traditions that have sought out their own Avalon. In addition to the historical Arthur, Breeze also analyzes Arthurian texts... Overall, this book is one for discussion. It prompts us to consider the ties between history and literature in an innovative way. Reading The Historical Arthur and the “Gawain” Poet is like being a sidekick to Sherlock Holmes as he investigates a case. We follow Breeze through all the details and circumstantial evidence history can offer.


— Historica Olomucesia: Journal for Central European History


The Historical Arthur and The Gawain Poet

Studies on Arthurian and Other Traditions

Cover Image
Hardback
eBook
Summary
Summary
  • The Historical Arthur and The Gawain Poet: Studies on Arthurian and Other Traditions delves into the origins of Arthur and reveals the author of the famous Gawain Manuscript. Its first part contains evidence for the Arthur of film and legend as a real person, a Celtic commander (not a king) who fought battles in North Britain during the terrible volcanic winter of 536-7, before dying a hero's death in a conflict on Hadrian's Wall. Its second part moves on to Sir Gawain and the Green Knight, an Arthurian poem on magic, near-death, and near-seduction. Its author has always been unknown, but Dr. Breeze uses arguments of the US scholar Ann W. Astell to date the text to 1387 and name the poet as Sir John Stanley (d. 1414), a Cheshire and Lancashire grandee. He can now be recognized as an artist of genius, comparable to Chaucer himself. What is said in this book on John Stanley and his circle thus allows the greatest advance in Arthurian Studies since 1934, when Walter Oakeshott discovered the Winchester Malory amongst manuscripts of an English school library.

Details
Details
  • Lexington Books
    Pages: 164 • Trim: 6¼ x 9½
    978-1-66692-954-6 • Hardback • February 2023 • $95.00 • (£73.00)
    978-1-66692-955-3 • eBook • January 2023 • $45.00 • (£35.00)
    Series: Studies in Medieval Literature
    Subjects: Literary Criticism / Poetry, Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Criticism / Fairy Tales, Folk Tales, Legends & Mythology
Author
Author
  • Andrew Breeze is professor of philology at the University of Navarra.

Table of Contents
Table of Contents
  • Preface

    Part 1: Arthur

    Chapter One: The Historical Arthur

    Chapter Two: Arthur Dux Bellorum and Welsh Penteulu "Chief of the Royal Warband"

    Part Two: The Gawain Poet and His School

    Chapter Three: Was Sir John Stanley (d. 1414) the Gawain Poet?

    Chapter Four: 1387: Year of Sir Gawain and the Green Knight

    Chapter Five: Sir Gawain and the Green Knight Predates Pearl

    Chapter Six: Italy, Pearl, St Erkenwald, and Sir William Stanley

    Chapter Seven: Place-Names and Politics in The Awntyrs off Arthure

    Bibliography

    About the Author

Reviews
Reviews
  • One of the most well-known—if often neglected mythological traditions—is the collection of King Arthur stories. Although the stories themselves are often set in the world of the high or late Middle Ages, it is generally assumed tat the historical Arthur was a Romanized Celtic Christian king who resisted pagan Saxon invasions of Great Britain. Over time, in popular understanding, Arthur’s narrative was imbued with various mythic elements and the ornaments and aesthetics (as well as the technology) of the High Middle Ages, making the Arthur we know today. However, in his recent work, The Historical Arthur and the Gawain Poet, Andrew Breeze of the University of Navarra attempts to topple this popular view, providing a historically accurate but nonetheless fascinating portrait of Arthur.


    — VoegelinView


    These well-argued essays address some of the most contentious questions in mediaeval literary history, including the historicity of King Arthur and the authorship of Sir Gawain and the Green Knight. Problems like these demand a combination of historical, literary, and linguistic abilities rarely found together in this age of specialization. Fortunately Andrew Breeze has those abilities, and is widely read and unfailingly lucid too. Anyone who wants from now on to dissent from the views he expresses here is going to have to be able to show why.


    — Peter Field, Bangor University


    Based upon his broad scholarship and his command of languages and history, Professor Breeze convincingly affirms the historicity of Arthur and presents a compelling argument identifying Sir John Stanley as the most likely candidate to be the Gawain poet. This book, written with Professor Breeze's characteristic verve and engaging wit, is fundamental reading for anyone interested in the date and place of composition of the four major works attributed to the Gawain poet.


    — Prof. Jerome Mandel, Professor Emeritus, Tel Aviv University


    The author constructs a satisfying detective story that pinpoints the year when one of the most admired of medieval poems was written. At the same time, the detective homes in on the poet’s identity and motives. This transforms the way in which we can regard the literary scene of the day.


    — Christopher Howse, Assistant Editor, The Daily Telegraph


    Andrew Breeze is a rare example of an academic who is brave enough to court controversy. Over the last three decades, his scholarly detective work has challenged established assumptions about the authorship of significant medieval literary and historical works. The Historical Arthur and the 'Gawain' Poet is no exception. This exciting new book makes not one but two major claims. The first concerns the identity of the historical British military leader behind the legendary figure of King Arthur. The second reassesses the authorship and date of Sir Gawain and the Green Knight. I would encourage everyone interested in Arthurian literature to read the volume and to judge for themselves the evidence and arguments.


    — Diane Watt, University of Surrey


    A fascinating exercise in historical and literary detective work, with incisive commentary on previous research and frequent penetrating insights. Our thoughts on Arthur of Britain and the Gawain poet will never be quite the same again.


    — Rory McTurk, Professor Emeritus of Icelandic Studies, University of Leeds


    Andrew Breeze’s latest work is an important contribution to Medieval scholarship in that it prompts interesting discussions, perhaps even arguments. He makes bold claims about the authorship of canonical texts, such as Sir Gawain and the Green Knight and St. Erkenwald, and meticulously reviews the historical evidence. By means of an extensive detailing of historical events, Breeze connects Gawain to the Stanleys of Cheshire, circa 1380s. He establishes the historical Arthur as a North Briton who was both a war hero and dux bellorum, a position of “supreme trust” in the fourteenth century (17). The research argues that Arthur was real, but not Roman and not a king. Our imaginings of King Arthur are due to generations of oral traditions that have sought out their own Avalon. In addition to the historical Arthur, Breeze also analyzes Arthurian texts... Overall, this book is one for discussion. It prompts us to consider the ties between history and literature in an innovative way. Reading The Historical Arthur and the “Gawain” Poet is like being a sidekick to Sherlock Holmes as he investigates a case. We follow Breeze through all the details and circumstantial evidence history can offer.


    — Historica Olomucesia: Journal for Central European History


ALSO AVAILABLE

  • Cover image for the book Tamil Dalit Feminist Poetics: Resistance, Power, and Solidarity
  • Cover image for the book Redeeming Time: T.S. Eliot's Four Quartets
  • Cover image for the book 100 Essential Modern Poems
  • Cover image for the book W.H. Auden at Work: The Craft of Revision
  • Cover image for the book The Poetry of the Medieval Troubadour, William IX of Aquitaine: The Songs that Built Europe
  • Cover image for the book The Poetry Anthology
  • Cover image for the book Haiku, Other Arts, and Literary Disciplines
  • Cover image for the book Fernando Pessoa and the Lyric: Disquietude, Rumination, Interruption, Inspiration, Constellation
  • Cover image for the book Lenard D. Moore and African American Haiku: Merging Traditions
  • Cover image for the book American Haiku: New Readings
  • Cover image for the book Jack Kerouac and the Traditions of Classic and Modern Haiku
  • Cover image for the book Ideology in the Poetry of Sylvia Plath: From Manuscript to Published Poem
  • Cover image for the book Spenser in the Moment
  • Cover image for the book The Mind's Landscape: William Bronk and Twentieth-Century American Poetry
  • Cover image for the book Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century
  • Cover image for the book Trauma in 20th Century Multicultural American Poetry: Unmuted Verse
  • Cover image for the book Zoopoetics: Animals and the Making of Poetry
  • Cover image for the book The Heroines of Henry Longfellow: Domestic, Defiant, Divine
  • Cover image for the book Collected Writings of Charles Brockden Brown: Poems, Volume 7
  • Cover image for the book Elizabeth Bishop's Prosaic
  • Cover image for the book Lawrence Durrell’s Poetry: A Rift in the Fabric of the World
  • Cover image for the book Worlds of Common Prayer: Liturgical Time and Poetic Re-enchantment, 1827–1935
  • Cover image for the book Longfellow's Imaginative Engagement: The Works of His Late Career
  • Cover image for the book Ecopoetics and the Global Landscape: Critical Essays
  • Cover image for the book Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry: An Imagist Turned Philosopher
  • Cover image for the book Reading Apollinaire's Alcools
  • Cover image for the book T.S. Eliot, Poetry, and Earth: The Name of the Lotos Rose
  • Cover image for the book The New American Poetry: Fifty Years Later
  • Cover image for the book Reverie and Reality: Poetry on Travel by Late Imperial Chinese Women
  • Cover image for the book Poetics of Love in the Middle Ages: Texts and Contexts
  • Cover image for the book Frank O'Hara and the Poetics of Saying 'I'
  • Cover image for the book Women's Poetry and Poetics in Late Imperial China: A Dialogic Engagement
  • Cover image for the book Elizabeth Bishop and Translation
  • Cover image for the book Tamil Dalit Feminist Poetics: Resistance, Power, and Solidarity
  • Cover image for the book Redeeming Time: T.S. Eliot's Four Quartets
  • Cover image for the book 100 Essential Modern Poems
  • Cover image for the book W.H. Auden at Work: The Craft of Revision
  • Cover image for the book The Poetry of the Medieval Troubadour, William IX of Aquitaine: The Songs that Built Europe
  • Cover image for the book The Poetry Anthology
  • Cover image for the book Haiku, Other Arts, and Literary Disciplines
  • Cover image for the book Fernando Pessoa and the Lyric: Disquietude, Rumination, Interruption, Inspiration, Constellation
  • Cover image for the book Lenard D. Moore and African American Haiku: Merging Traditions
  • Cover image for the book American Haiku: New Readings
  • Cover image for the book Jack Kerouac and the Traditions of Classic and Modern Haiku
  • Cover image for the book Ideology in the Poetry of Sylvia Plath: From Manuscript to Published Poem
  • Cover image for the book Spenser in the Moment
  • Cover image for the book The Mind's Landscape: William Bronk and Twentieth-Century American Poetry
  • Cover image for the book Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century
  • Cover image for the book Trauma in 20th Century Multicultural American Poetry: Unmuted Verse
  • Cover image for the book Zoopoetics: Animals and the Making of Poetry
  • Cover image for the book The Heroines of Henry Longfellow: Domestic, Defiant, Divine
  • Cover image for the book Collected Writings of Charles Brockden Brown: Poems, Volume 7
  • Cover image for the book Elizabeth Bishop's Prosaic
  • Cover image for the book Lawrence Durrell’s Poetry: A Rift in the Fabric of the World
  • Cover image for the book Worlds of Common Prayer: Liturgical Time and Poetic Re-enchantment, 1827–1935
  • Cover image for the book Longfellow's Imaginative Engagement: The Works of His Late Career
  • Cover image for the book Ecopoetics and the Global Landscape: Critical Essays
  • Cover image for the book Stylistic Innovation, Conscious Experience, and the Self in Modernist Women's Poetry: An Imagist Turned Philosopher
  • Cover image for the book Reading Apollinaire's Alcools
  • Cover image for the book T.S. Eliot, Poetry, and Earth: The Name of the Lotos Rose
  • Cover image for the book The New American Poetry: Fifty Years Later
  • Cover image for the book Reverie and Reality: Poetry on Travel by Late Imperial Chinese Women
  • Cover image for the book Poetics of Love in the Middle Ages: Texts and Contexts
  • Cover image for the book Frank O'Hara and the Poetics of Saying 'I'
  • Cover image for the book Women's Poetry and Poetics in Late Imperial China: A Dialogic Engagement
  • Cover image for the book Elizabeth Bishop and Translation
facebook icon twitter icon instagram icon linked in icon NEWSLETTERS
ABOUT US
  • Mission Statement
  • Employment
  • Privacy
  • Accessibility Statement
CONTACT
  • Company Directory
  • Publicity and Media Queries
  • Rights and Permissions
  • Textbook Resource Center
AUTHOR RESOURCES
  • Royalty Contact
  • Production Guidelines
  • Manuscript Submissions
ORDERING INFORMATION
  • Rowman & Littlefield
  • National Book Network
  • Ingram Publisher Services UK
  • Special Sales
  • International Sales
  • eBook Partners
  • Digital Catalogs
IMPRINTS
  • Rowman & Littlefield
  • Lexington Books
  • Hamilton Books
  • Applause Books
  • Amadeus Press
  • Backbeat Books
  • Bernan
  • Hal Leonard Books
  • Limelight Editions
  • Co-Publishing Partners
  • Globe Pequot
  • Down East Books
  • Falcon Guides
  • Gooseberry Patch
  • Lyons Press
  • Muddy Boots
  • Pineapple Press
  • TwoDot Books
  • Stackpole Books
PARTNERS
  • American Alliance of Museums
  • American Association for State and Local History
  • Brookings Institution Press
  • Center for Strategic & International Studies
  • Council on Foreign Relations
  • Fairleigh Dickinson University Press
  • Fortress Press
  • The Foundation for Critical Thinking
  • Lehigh University Press
  • United States Holocaust Memorial Museum
  • Other Partners...