Introduction, Anjum Khan and Shubhanku Kochar
Chapter One: Colonial Encounters and Cultural Genocide: A Postcolonial Textualisation of Ferdinand Leopold Oyono’s The Old Man and the Medal, Zuhmboshi Eric Nsuh
Chapter Two: The Anglo Indian Community and its Cultural Aporia: Reading the Works of Allan Sealy’s The Trotter-Nama: A Chronicle, Medha Bhadra Chowdhury
Chapter Three: The Traces of Dystopian in Post Independent Manipuri Poetry, Neelima B and Saji Mathew
Chapter Four: Cultural Refrigeration through Cinema in the age of Globalization: From Hollywood to Nollywood, Stephen Ogheneruro Okpadah
Chapter Five: Subaltern Cosmopolitanism- The ‘Parankis’ of Postcolonial Kochi, Anupama Nayar
Chapter Six: Unseen, Unheard and Unacknowledged: An Eco-Cultural Reading of Benyamin's Goat Days in the Age of the Anthropocene, Risha Baruah
Chapter Seven: The Idea of Minor Literature by Deleuze and Guattari with reference to Naga Identity, Psyche and Victimization of Indigenous Communities in Temsula Ao’s These Hills Called Home: Stories From A War Zone, Sindhura Dutta and Asijit Datta
Chapter Eight: The Influence of West Indian Cultural Values on Collective and Individual Identities in Brown Girl, Brownstones and Praisesong for the Widow, Renée Latchman
Chapter Nine: Mainstreaming the Marginal: Cultural Extermination and Tribal Resistance in Ranendra’s Lords of the Global Village (2017), Asis De
Chapter Ten: Passing and Caribbean Identity in America in No Telephone to Heaven by Michelle Cliff, Denise M. Jarrett
Chapter Eleven: ‘American Dream Versus Nightmare’: Migration, Minority Culture and Magic in Chitra Banerjee Divakaruni’s The Mistress of Spices, Munira Salim
Chapter Twelve: Colouring Culture, Cosmopolitanizing Identity: Shades of ‘Otherness’ in Chimamanda Ngozi Adichie’s Americanah, Maitrayee Misra
Chapter Thirteen: Passing: Trauma and Technique An inquisitive reading of Nella Larsen’s Quicksand and Passing, Prachi Behrani and Vinaya Kumari
About the Contributors