Introduction: Dark Shadows in the House of Mouse
Lorna Piatti-Farnell and Jeffrey Andrew Weinstock
Part 1: Dark Beginnings and Gothic Technologies
Chapter 1: Silly Spookiness: The Skeletons of Early Disney
Murray Leeder
Chapter 2: From Gothic to Gags: Disney’s Comic Deconstruction of Death
Terry Lindvall
Chapter 3: Hidden Histories: The Many Ghosts of Disney’s Haunted Mansion
Jeffrey Andrew Weinstock
Chapter 4: Monsters on the Mouse-Tube: The Gothic Horror Cinematic Tradition and the Disney Channel Original Movie
Jay Bamber
Chapter 5: Sinister Surveillance: Threatened Youth in Disney's Watcher in the Woods and Something Wicked This Way Comes
Carl H. Sederholm and Kathy Merlock Jackson
Chapter 6: The Game is Playing Itself: Fear, Technology, and the Disney Slasher
Gwyneth Peaty
Part 2: Monsters and Magic
Chapter 7: Disney’s Tetratologies: Animated Discourses on Monsters and Heroes
Kevin J. Wetmore
Chapter 8: ’Who is the monster and who is the man?’: Disney’s Medieval Gothic in The Hunchback of Notre Dame
J.S. Mackley
Chapter 9: Voodoo, Hoodoo, and Friends on the Other Side: Magic, Cultural Echoes, and the Gothic Trajectories of Difference in Disney’s The Princess and the Frog
Nancy Johnson-Hunt and Lorna Piatti-Farnell
Chapter 10: The Human/Animal Divide: Feral Children, Liminalities, and the Gothic in Disney’s The Jungle Book and Tarzan
Antonio Sanna
Chapter 11: Primitive Life and Animated Death: Fantasia’s ‘Rite of Spring’ as Ecogothic
Christy Tidwell
Part 3: Something Wicked
Chapter 12: Maleficent: Monstrosity, Truth, and Post-Truth in Disney’s Transmedia Fairyverse
Joan Ormrod
Chapter 13: Mother Knows Best: Questioning the Moral and the Immoral in Disney’s Tangled
Angelique Nairn
Chapter 14: The Vampire Queen of the Disney Scene: The Vampiric, Gothic Excess of Ursula from The Little Mermaid
Simon Bacon
Chapter 15: Gorgeous, Vicious and a “Little Bit Mad”: Queer-Gothic and Excessive Desire in Cruella
Blair Speakman