Acknowledgments
Section I: The Corpus
Introduction: Corporeality: The Conceptual Skeleton
Chapter One: ‘The critics will never forgive you for writing Rebecca’: Repositioning Daphne du Maurier and an Anatomy of the Short Story Collections
Section II: The Dismembered Self
Chapter Two: ‘Split Second’ [head] (1980)
Chapter Three: ‘The Blue Lenses’ [eyes] (1952)
Chapter Four: ‘The Lordly Ones’ [tongue] (1959)
Chapter Five: ‘Monte Verità’ [breasts/ yoni] (1952)
Chapter Six: ‘The Apple Tree’ [limbs] (1952)
Chapter Seven: ‘The Alibi’ [phallus] (1959)
Chapter Eight: ‘The Little Photographer’ [feet] (1952)
Chapter Nine: ‘The Doll’ [body] (1937, 2011)
Section III: A Pathology of Desire
Chapter Ten: Reconstructive Surgery
Appendix: The Bare Bones
Bibliography
About the Author