Foreword—Howard Goodall
Introduction
Part 1: The Great Leap Forward—Early Traditions: Cultural, Environmental, and Developing Methods
Chapter 1: Moveable ‘Do’, Sol-Fa and Vertical Ladders: Guido to Glover to Curwen to Kodály
Jane Southcott
Chapter 2: The Role of the Cantor in the Performance of Liturgy: Council of Laodicea in the Mid-Fourth Century to Guido of Arezzo (C.990–C.1040)
Carol Williams
Chapter 3: Orff’s Schulwerk: Gestation, Interruption, Revival, and Dissemination
Jane Southcott and Andrew Sutherland
Chapter 4: Shinichi Suzuki and Talent Education: From Beginnings in Japan to the USA and the World
Jane Southcott
Chapter 5: Émile Jaques-Dalcroze and the Movement of Music
Karin Greenhead
Part 2: Influences of Cultural Shifts in Society on Teaching and Learning
Chapter 6: Jazz Education: Revolution or Devolution?
Leon de Bruin
Chapter 7: A Global Revolution in Music for Social Change: El Sistema from Chile to Venezuela and the World
Alexandra Carlson and Andrew Sutherland
Chapter 8: Televised Music Instruction
Paul Louth
Chapter 9: Subverting the Hegemony: The Popular Music Revolution
Geoff Lowe
Chapter 10: Progressing Multicultural Music Education from Colonialism, Othering, and Tokenism
Andrew Sutherland
Part 3: Advancing Pedagogy with Technology and Creative Revolutions
Chapter 11: Class Piano—Democratizing a Nineteenth-Century Status Symbol
Timothy J. Groulx
Chapter 12: R. Murray Schafer—Celebrating a 1960s Visionary
Ros McMillan
Chapter 13: The Evolution of Music Notation Software
Patrick Horton
Chapter 14: Musical Futures: Developing an Informal Learning Model for Mainstream Music Education since 2003
Hilary McQueen
Chapter 15: New Interfaces for Musical Expression: Instrument Making as Music Learning
Andrew Brown
Chapter 16: The Intimate Relationship between Technology and Music and Its Revolutionary Impact on Music Education
Renée Crawford
Conclusion
About the Contributors