Lexington Books
Pages: 224
Trim: 6½ x 9½
978-1-66690-683-7 • Hardback • March 2022 • $105.00 • (£81.00)
978-1-66690-684-4 • eBook • March 2022 • $45.00 • (£35.00)
Matt Reingold holds a PhD in Jewish education and teaches Jewish history and Jewish thought at TanenbaumCHAT, a community Jewish high school.
Table of Contents
Introduction
Chapter One: Srulik, Ice Cream, Pickles, and Campaign Slogans: Parsing Uniquely Israeli Visual Symbols
Chapter Two: Cartooning from the Right: Benjamin Netanyahu in Israel Hayom
Chapter Three: Deconstructing Homophobes and Envisioning an Inclusive Society: Israeli LGBTQ Cartoons
Chapter Four: Skewering the Other: Caricatures Produced by Ultra-Orthodox haredim and Secular Israelis
Chapter Five: Cartooning in Support of Victims of Sexual Violence: Responding to Ayia Napa
Chapter Six: Corona Exegesis: Celebrating Jewish Holidays During a Pandemic
Conclusion
Thoughtfully focusing on a particularly tempestuous period of instability and political uncertainty, Reingold’s incisive study brilliantly illuminates a vibrant selection of bold artistic responses to many of the cultural, political and religious contradictions and controversies seething within Israel’s complex society and fragile democracy. A lively and insightful exploration of the provocations and risks taken by political cartoonists that rewards readers with gripping visual exemplars and compelling analysis. This superb book sets a high standard, an invaluable resource for scholars of contemporary Israeli society and political cartoons alike.
— Ranen Omer-Sherman, University of Louisville
Reingold’s timely study of recent Israeli political cartoons is searching and compelling. Addressing challenging subjects with sharp insight, he fleshes out the complexities of Israeli society. He demonstrates how Israel's political cartoonists operate as editorialists, bravely commenting on their own country and calling for political and cultural change. His work expands our understanding of Israel during a period of tumultuous politics and of the nature of political cartooning as a distinct field of visual media.
— Samantha Baskind, Cleveland State University