In this collection of ten essays, two of them original to this volume, Ramalho-Santos returns to the work she did in Atlantic Poets (2003) by connecting Pessoa to American poets—Whitman, Stevens, Crane, and Dickinson. Each essay takes on one of the themes in the subtitle, with attention to Pessoa's Book of Disquietude and the heteronyms. To read these essays is to participate in an illuminating conversation and adventure, a broad consideration of Pessoa and his work across literatures and theories by an experienced scholar. Concepts of rumination and interruption are brought to Pessoa’s fragmented corpus. This book is for Pessoa scholars and advanced students of literature. Highly recommended. Graduate students, researchers, faculty.
— Choice Reviews
This is an exciting, even brilliant manuscript.The book will contribute significantly to the study of lyric poetry in general, opening up the objects of reading to include the voices of this extraordinary poet, and of the author, an extraordinarily eloquent and perceptive reader.
— Page duBois, University of California, San Diego
Fernando Pessoa and the Lyric begins with the traditional claim that every lyric poem spells out a theory of its own making, only to overturn that claim by showing how this theory is not only the making of the poem itself but also the rigorous unmaking of the poet-maker as an a priori subject. Practicing the very “kind of rigorous and detached surrender to language” that she identifies as the true North of Pessoa’s poetry, Ramalho-Santos brings his dispersed heteroynms to life within a constellation of Anglo-American poetry from Walt Whitman and Emily Dickinson to Wallace Stevens and the Language Poets of the later twentieth century.
— Nancy Armstrong, Duke University
Irene Ramalho-Santos’s Fernando Pessoa and the Lyric is as forceful and elegant a contribution to Pessoa studies as its title appears humble. For, although at the centre of this — one of the most important new works on Pessoa.
— Academic Journal