University Press Copublishing Division / University of Delaware Press
Pages: 246
•
Trim: 6½ x 9⅜
978-1-61149-637-6 • Hardback • March 2017 • $117.00 • (£90.00)
978-1-61149-639-0 • Paperback • June 2019 • $50.99 • (£39.00)
978-1-61149-638-3 • eBook • March 2017 • $48.00 • (£37.00)
Masha Belenky is associate professor of French at the George Washington University.
Kathryn Kleppinger is assistant professor of French and Francophone Studies at The George Washington University.
Anne O’Neil-Henry is assistant professor of French at Georgetown University.
List of Illustrations
Acknowledgements
Introduction: French Cultural Studies for the 21st Century by Masha Belenky, Kathryn Kleppinger, Anne O’Neil-Henry
I. Press and Literary Culture
Chapter 1: Methods and Challenges in Deciphering Representations of Authorial Intimacy in Late Nineteenth-Century French Photoreportages by Elizabeth Emery
Cahpter 2: The Haitian Literary Magazine in Francophone Postcolonial Literary and Cultural Production by Chelsea Stieber
II. Race and Identity in Popular Performance
Chapter 3: Reading Race in Nineteenth-Century French Vaudeville by Lise Schreier
Chapter 4: Diversity, Exploitation, and Immigration Politics in French “Ethnic” Erotica by Mehammed Mack
III. Repurposed Images
Chapter 5: Rediscovering Third Republic Illustrated Menus by Michael Garval
Chapter 6: Picturing the Catherinette: Reinventing Tradition for the Postcard Age by Susan Hiner
IV. Media Storms
Chapter 7: Unpacking the Success and Criticisms of Intouchables (2011) by Leslie Kealhofer-Kemp
Chapter 8: “La Transgression de l’écriture”: Marguerite Duras and the Affaire Villemin by Anne Brancky
Chapter 9: Understanding the Tinayre Affair: New Media, New Methods for the Belle Epoque by Rachel Mesch
About the Contributors
Index
All of the essays are carefully researched and articulate “the importance of the broader social and historical settings” (xix). Most of the essays are beautifully illustrated. This book is definitely worth reading.— The French Review
Here is a well-arranged composite English-language work that introduces us to the literary movement of French cultural studies through its methodological practice. The analysis of non-traditional sources - generally left in the shadows by their popular origin (contrary to what is called the "high literature" of the great recognized authors) presents, in fact, a certain interest, and moreover, sheds new light on the research possibilities of cultural studies in literature and customs that have dominated the post-revolutionary period to the present day. . . . This original work once more opens discussions for the development of French cultural studies and serves as an example for anyone interested in this form of literary criticism. [Translated from original French]
— Nineteenth-Century French Studies