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William T. Vollmann

A Critical Companion

Edited by Christopher K. Coffman and Daniel Lukes - Contributions by Georg Bauer; Carla Bolte; Aaron Chandler; Heather Corcoran; John K. Cox; Okla Elliott; James Franco; Jonathan Franzen; Michael Glawogger; Mariya Gusev; Joshua Jensen; Priscilla Juvelis; Miles Liebtag; Larry McCaffery; Françoise Palleau-Papin; Melissa Petro; Jordan A. Rothacker; Bryan Santin; Geoffrey D. Smith; Mary Austin Speaker; Michael K. Walonen and Buell Wisner

"This fascinating, massive, wide-ranging collection that editors Christopher K. Coffman and Daniel Lukes have gathered together into William T. Vollmann: A Critical Companion will soon be recognized as one of those rare critical books for which that egregiously overused term 'groundbreaking' is fully justified." —Larry McCaffery, from the preface of William T. Vollmann: A Critical Companion

The essays in this collection make a case for regarding William T. Vollmann as the most ambitious, productive, and important living author in the US. His oeuvre includes not only outstanding work in numerous literary genres, but also global reportage, ethical treatises, paintings, photographs, and many other productions. His reputation as a daring traveler and his fascination with life on the margins have earned him an extra-literary renown unequaled in our time. Perhaps most importantly, his work is exceptional in relation to the literary moment. Vollmann is a member of a group of authors who are responding to the skeptical ironies of postmodernism with a reinvigoration of fiction’s affective possibilities and moral sensibilities, but he stands out even among this cohort for his prioritization of moral engagement, historical awareness, and geopolitical scope. Included in this book in addition to twelve scholarly critical essays are reflections on Vollmann by many of his peers, confidantes, and collaborators, including Jonathan Franzen, James Franco, and Michael Glawogger. With a preface by Larry McCaffery and an afterword by Michael Hemmingson, this book offers readings of most of Vollmann’s works, includes the first critical engagements with several key titles, and introduces a range of voices from international Vollmann scholarship.

  • Details
  • Details
  • Author
  • Author
  • TOC
  • TOC
  • Reviews
  • Reviews
University Press Copublishing Division / University of Delaware Press
Pages: 378 • Trim: 6½ x 9½
978-1-61149-510-2 • Hardback • December 2014 • $133.00 • (£102.00)
978-1-61149-525-6 • Paperback • July 2016 • $57.99 • (£45.00)
978-1-61149-511-9 • eBook • December 2014 • $55.00 • (£42.00)
Subjects: Literary Criticism / American / General, Social Science / Anthropology / General, Social Science / Violence in Society
Christopher K. Coffman is a lecturer in humanities at Boston University.

Daniel Lukes earned a PhD in comparative literature from New York University.
Contents


Foreword: The Chrysanthemum and the Flame Thrower
Larry McCaffery


Acknowledgments

Introduction: Lonely Atoms
Christopher K. Coffman


I. Engaging People, Space and Place


Chapter 1: Egalitarian Longings: The Problem with Pity and the Search for Equality in
Poor People
Aaron D. Chandler


Interchapter: The World According to William T. Vollmann
Heather Corcoran


Chapter 2: The Poetics and Politics of Zoning, Mythography, and Mestizo Space in
Imperial Michael K. Walonen


Interchapter: Vollmann in Russia: On
Poor People
Mariya Gusev


Chapter 3: William T. Vollmann’s Search for Truth and Community in Participative Research
Georg Bauer


Intechapter: Palm Trees
Michael Glawogger


II. Engaging Narratives: History, Historiography, Ethics


Chapter 4: Vollmann’s
Argall-Text: Neo-Elizabethan Form and the Literalist Past in Seven Dreams
Buell Wisner


Interchapter: Vollmann between the Covers
Carla Bolte


Chapter 5: Writing Europe: Death, History, and the Intersecting Intellectual Worlds of William T. Vollmann and Danilo Kiš
John K. Cox


Chapter 6: Kurt Gerstein and the Tragic Parable of ‘Clean Hands’: The Imaginative Role of Fiction in the Moral Calculus of William T. VollmannBryan M. Santin


Interchapter: Reading
Rising Up and Rising Down
James Franco


Chapter 7: The New Universalism and William T. Vollmann’s
Rising Up and Rising Down

Okla Elliott

III. Power, Sex, Politics


Chapter 8: Our Oriental Heritage: Seeking the Postcolonial Postmodern in William T. Vollmann’s
You Bright and Risen Angels
Miles Liebtag


Interchapter : Piss Lime Vitriol
Jordan A. Rothacker


Chapter 9: William T. Vollmann’s Paradigms of Power
Joshua C. Jensen


Interchapter: The Shattered Object: On Representation versus Self-Representation and Becoming Whole
Melissa Petro


Chapter 10: ‘Strange Hungers’: William T. Vollmann’s Literary Performances of Abject Masculinity
Daniel Lukes


Interchapter: A Friendship
Jonathan Franzen


IV. Methods and Mores: Texts, Paratexts, Aesthetics


Interchapter: William T. Vollmann: Artist’s Books
Priscilla Juvelis


Chapter 11: Imperial Photography
Françoise Palleau-Papin


Interchapter: Against All Loss: On
Kissing the Mask
Mary Austin Speaker


Chapter 12: The Ethics of the Archive and the William T. Vollmann Collection

Geoffrey D. Smith

Afterword: Beyond the Book: William T. Vollmann’s End Matter (Appendices, Glossaries and Extra Texts)
Michael Hemmingson


Bibliography
Index
About the Contributors
Readers need a companion to sift through his [Vollmann's] range of materials and its relationship to style. . . .This critical companion is significant for a number of reasons. First, it makes the world a little less lonesome. Readers of Vollmann now have a book that can be found in the library that will offer them the silent conversation of academic discourse. Too often the academic world is purely professional, but for many it can be a place to connect with other likeminded individuals. This book is the starting point for learning and relationships, to say nothing of careers. Second, this book will help readers form a more nuanced understanding of Vollmann’s work, to look beyond superficial understandings of his public persona and to instead gaze deeply into the man and his work.
— Hysterical Realism


William T. Vollmann is the elephant in the room of contemporary American letters, and in this imaginatively organized and edited collection over a dozen academic experts and a few fans and collaborators lay hold of various parts of this literary elephant and describe for us what they’ve found: Vollmann as participant observer, as moral philosopher, as historical novelist, as photographer, as punk; Vollmann and space, and postcolonialism, and sex work, and the archive. Unlike the blind men in the parable, however, they recognize that Vollmann is bigger than the sum of his many parts. A uniquely valuable collection of essays on a writer who deserves and repays all the attention we can give him.
— Brian McHale, Distinguished Arts and Humanities Professor at The Ohio State University, Author of "Postmodernist Fiction" (1987) and "The Cambridge Introduction to Postmodernism" (2015)


This is a fascinating collection of essays and observations about Vollmann's work and Vollmann the human. It's passionate, wildly eclectic, brilliant and frequently strange -- all the things a book about Vollmann should be.
— Dave Eggers, Publisher, Rising Up and Rising Down


William T. Vollmann

A Critical Companion

Cover Image
Hardback
Paperback
eBook
Summary
Summary
  • "This fascinating, massive, wide-ranging collection that editors Christopher K. Coffman and Daniel Lukes have gathered together into William T. Vollmann: A Critical Companion will soon be recognized as one of those rare critical books for which that egregiously overused term 'groundbreaking' is fully justified." —Larry McCaffery, from the preface of William T. Vollmann: A Critical Companion

    The essays in this collection make a case for regarding William T. Vollmann as the most ambitious, productive, and important living author in the US. His oeuvre includes not only outstanding work in numerous literary genres, but also global reportage, ethical treatises, paintings, photographs, and many other productions. His reputation as a daring traveler and his fascination with life on the margins have earned him an extra-literary renown unequaled in our time. Perhaps most importantly, his work is exceptional in relation to the literary moment. Vollmann is a member of a group of authors who are responding to the skeptical ironies of postmodernism with a reinvigoration of fiction’s affective possibilities and moral sensibilities, but he stands out even among this cohort for his prioritization of moral engagement, historical awareness, and geopolitical scope. Included in this book in addition to twelve scholarly critical essays are reflections on Vollmann by many of his peers, confidantes, and collaborators, including Jonathan Franzen, James Franco, and Michael Glawogger. With a preface by Larry McCaffery and an afterword by Michael Hemmingson, this book offers readings of most of Vollmann’s works, includes the first critical engagements with several key titles, and introduces a range of voices from international Vollmann scholarship.

Details
Details
  • University Press Copublishing Division / University of Delaware Press
    Pages: 378 • Trim: 6½ x 9½
    978-1-61149-510-2 • Hardback • December 2014 • $133.00 • (£102.00)
    978-1-61149-525-6 • Paperback • July 2016 • $57.99 • (£45.00)
    978-1-61149-511-9 • eBook • December 2014 • $55.00 • (£42.00)
    Subjects: Literary Criticism / American / General, Social Science / Anthropology / General, Social Science / Violence in Society
Author
Author
  • Christopher K. Coffman is a lecturer in humanities at Boston University.

    Daniel Lukes earned a PhD in comparative literature from New York University.
Table of Contents
Table of Contents
  • Contents


    Foreword: The Chrysanthemum and the Flame Thrower
    Larry McCaffery


    Acknowledgments

    Introduction: Lonely Atoms
    Christopher K. Coffman


    I. Engaging People, Space and Place


    Chapter 1: Egalitarian Longings: The Problem with Pity and the Search for Equality in
    Poor People
    Aaron D. Chandler


    Interchapter: The World According to William T. Vollmann
    Heather Corcoran


    Chapter 2: The Poetics and Politics of Zoning, Mythography, and Mestizo Space in
    Imperial Michael K. Walonen


    Interchapter: Vollmann in Russia: On
    Poor People
    Mariya Gusev


    Chapter 3: William T. Vollmann’s Search for Truth and Community in Participative Research
    Georg Bauer


    Intechapter: Palm Trees
    Michael Glawogger


    II. Engaging Narratives: History, Historiography, Ethics


    Chapter 4: Vollmann’s
    Argall-Text: Neo-Elizabethan Form and the Literalist Past in Seven Dreams
    Buell Wisner


    Interchapter: Vollmann between the Covers
    Carla Bolte


    Chapter 5: Writing Europe: Death, History, and the Intersecting Intellectual Worlds of William T. Vollmann and Danilo Kiš
    John K. Cox


    Chapter 6: Kurt Gerstein and the Tragic Parable of ‘Clean Hands’: The Imaginative Role of Fiction in the Moral Calculus of William T. VollmannBryan M. Santin


    Interchapter: Reading
    Rising Up and Rising Down
    James Franco


    Chapter 7: The New Universalism and William T. Vollmann’s
    Rising Up and Rising Down

    Okla Elliott

    III. Power, Sex, Politics


    Chapter 8: Our Oriental Heritage: Seeking the Postcolonial Postmodern in William T. Vollmann’s
    You Bright and Risen Angels
    Miles Liebtag


    Interchapter : Piss Lime Vitriol
    Jordan A. Rothacker


    Chapter 9: William T. Vollmann’s Paradigms of Power
    Joshua C. Jensen


    Interchapter: The Shattered Object: On Representation versus Self-Representation and Becoming Whole
    Melissa Petro


    Chapter 10: ‘Strange Hungers’: William T. Vollmann’s Literary Performances of Abject Masculinity
    Daniel Lukes


    Interchapter: A Friendship
    Jonathan Franzen


    IV. Methods and Mores: Texts, Paratexts, Aesthetics


    Interchapter: William T. Vollmann: Artist’s Books
    Priscilla Juvelis


    Chapter 11: Imperial Photography
    Françoise Palleau-Papin


    Interchapter: Against All Loss: On
    Kissing the Mask
    Mary Austin Speaker


    Chapter 12: The Ethics of the Archive and the William T. Vollmann Collection

    Geoffrey D. Smith

    Afterword: Beyond the Book: William T. Vollmann’s End Matter (Appendices, Glossaries and Extra Texts)
    Michael Hemmingson


    Bibliography
    Index
    About the Contributors
Reviews
Reviews
  • Readers need a companion to sift through his [Vollmann's] range of materials and its relationship to style. . . .This critical companion is significant for a number of reasons. First, it makes the world a little less lonesome. Readers of Vollmann now have a book that can be found in the library that will offer them the silent conversation of academic discourse. Too often the academic world is purely professional, but for many it can be a place to connect with other likeminded individuals. This book is the starting point for learning and relationships, to say nothing of careers. Second, this book will help readers form a more nuanced understanding of Vollmann’s work, to look beyond superficial understandings of his public persona and to instead gaze deeply into the man and his work.
    — Hysterical Realism


    William T. Vollmann is the elephant in the room of contemporary American letters, and in this imaginatively organized and edited collection over a dozen academic experts and a few fans and collaborators lay hold of various parts of this literary elephant and describe for us what they’ve found: Vollmann as participant observer, as moral philosopher, as historical novelist, as photographer, as punk; Vollmann and space, and postcolonialism, and sex work, and the archive. Unlike the blind men in the parable, however, they recognize that Vollmann is bigger than the sum of his many parts. A uniquely valuable collection of essays on a writer who deserves and repays all the attention we can give him.
    — Brian McHale, Distinguished Arts and Humanities Professor at The Ohio State University, Author of "Postmodernist Fiction" (1987) and "The Cambridge Introduction to Postmodernism" (2015)


    This is a fascinating collection of essays and observations about Vollmann's work and Vollmann the human. It's passionate, wildly eclectic, brilliant and frequently strange -- all the things a book about Vollmann should be.
    — Dave Eggers, Publisher, Rising Up and Rising Down


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