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Arras Hanging The Textile That Determined Early Modern Literature and Drama
978-1-61149-468-6 • Hardback
September 2013 • $70.00 • (£44.95)
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978-1-61149-469-3 • eBook
September 2013 • $69.99 • (£44.95)

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Pages: 180
Size: 6 1/4 x 9 1/2
By Rebecca Olson
Literary Criticism | Renaissance
University Press Copublishing Division | University of Delaware
Textiles have long provided metaphors for storytelling: a compelling novel “weaves a tapestry” and we enjoy hearing someone “spin” a tale. To what extent, however, should we take these metaphors seriously? Arras Hanging: The Textile That Determined Early Modern Literature and Drama reveals that in the early modern period, when cloth-making was ubiquitous and high-quality tapestries called arras hangings were the most valuable objects in England, such metaphors were literal. The arras in particular provided a narrative model for writers such as Edmund Spenser and William Shakespeare, who exploited their audience’s familiarity with weaving to engage them in highly idiosyncratic and “hands on” ways. Specifically, undescribed or “blank” tapestries in the period’s fiction presented audiences with opportunities to “see” whatever they desired, and thus weave themselves into the story. Far more than background objects, literary and dramatic arras hangings have much to teach us about the intersections between texts and textiles at the dawn of print, and, more broadly, about the status of visual art in post-Reformation England.
Rebecca Olson is assistant professor of English and affiliated faculty in womens' studies at Oregon State University. Her ongoing research interests include word and image studies, early modern material culture, and Tudor poetry and drama.
Introduction: Hiding in Plain Sight
1. “Pliant, and Wel-Colored Threads”: The Metatextual Textile
2. Tudor Tapestry Conventions and Spenser’s Courts of Pride
3. Between the Tappet and the Wall
4. Weaving Device: Spenser’s “Blank” Arras
5. Hamlet’s Dramatic Arras
Cymbeline’s Translated Tapestry
Conclusion: Refreshing Surface
About the Author