Hardback

Paperback

eBook

Add to GoodReads

George Moore

Influence and Collaboration

Edited by Ann Heilmann and Mark Llewellyn

“Nearly every major figure of his era,” writes his biographer Adrian Frazier, “worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore.” The Anglo-Irish novelist George Moore (1852–1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore’s key role—as observer-participant and as satirist—within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore’s work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore’s work and through illustrative case studies of Moore’s collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community.

This book explores the full range of Moore’s collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore’s reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.

University Press Copublishing Division / University of Delaware Press

Pages: 296 • Trim: 6¼ x 9½

978-1-61149-432-7 • Hardback • August 2014 • $128.00 • (£98.00)

978-1-61149-533-1 • Paperback • July 2016 • $57.99 • (£45.00)

978-1-61149-433-4 • eBook • August 2014 • $55.00 • (£42.00)

Subjects: Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Collections / European / English, Irish, Scottish, Welsh, Literary Collections / Essays

George Moore

Influence and Collaboration

Hardback

Paperback

eBook

Summary

“Nearly every major figure of his era,” writes his biographer Adrian Frazier, “worked with Moore, tangled with Moore, took his impression from, or left it on, George Moore.” The Anglo-Irish novelist George Moore (1852–1933) espoused multiple identities. An agent provocateur whether as an art critic, novelist, short fiction writer or memoirist, always probing and provocative, often deliberately controversial, the personality at the core of this book invented himself as he reinvented his contemporary world. Moore’s key role—as observer-participant and as satirist—within many literary and aesthetic movements at the end of the Victorian period and into the twentieth century owed considerably to the structures and manners of collaboration that he embraced. This book throws into relief the multiple ways in which Moore’s work can serve as a counterbalance to established understandings of late nineteenth and early twentieth-century literary aesthetics both through innovative scholarly readings of Moore’s work and through illustrative case studies of Moore’s collaborative practice by making available, for the first time, two manuscript plays he co-authored with Pearl Craigie (John Oliver Hobbes) in 1894. It is this collaborative practice in conjunction with his cosmopolitan outlook that turned Moore into a key player in the fin-de-siècle formation of an international aesthetic community.

This book explores the full range of Moore’s collaborations and cultural encounters: from 1870s Paris art exhibitions to turn-of-the-century Dublin and London; from gossip to the culture of the barmaid; from the worship of Balzac to the fraught engagement with Yeats; from music to Celtic cultural translation. Moore’s reputation as a collaborator with the most significant artistic individuals of his time in Britain, Ireland and France in particular, but also in Europe more widely, provides a rich exposition of modes of exchange and influence in the period, and a unique and distinctive perspective on Moore himself.

Details

University Press Copublishing Division / University of Delaware Press

Pages: 296 • Trim: 6¼ x 9½

978-1-61149-432-7 • Hardback • August 2014 • $128.00 • (£98.00)

978-1-61149-533-1 • Paperback • July 2016 • $57.99 • (£45.00)

978-1-61149-433-4 • eBook • August 2014 • $55.00 • (£42.00)

Subjects: Literary Criticism / European / English, Irish, Scottish, Welsh, Literary Collections / European / English, Irish, Scottish, Welsh, Literary Collections / Essays

Author

Ann Heilmann is Professor of English literature at Cardiff University.

Mark Llewellyn is Director of Research at the Arts and Humanities Research Council.

Table of Contents

Contents

Acknowledgments
Contributors

Introduction
Ann Heilmann and Mark Llewellyn

Part One: Influence
Chapter 1: The Fin de Siècle Meets French Realism: Moore, Balzac and the Peculiarity of Writers Adrian Frazier

Chapter 2: “A Visit to an Impressionist Exhibition” in Moore’s Confessions of a Young Man Anna Gruetzner Robins

Chapter 3: Reading the Notes, Knowing the Score
Mary S. Pierce

Chapter 4: “Literature at Nurse”: George Moore, Ouida and Fin-de-Siècle Literary Censorship
Jane Jordan

Chapter 5: “The sort of girl I’d like to see behind the bar at the King’s Head”: Barmaids and Censorship in George Moore
Katherine Mullin

Chapter 6: Alice Barton: A Portrait of the Artist as a Young (New) Woman?
Ann Heilmann and María Elena Jaime de Pablos

Chapter 7: “Not fitted for marriage”: “Mildred Lawson” and the New Woman
Nathalie Saudo-Welby

Chapter 8: Gossip, Art and the Public Secret: Moore on his Contemporaries
Elizabeth Grubgeld

Chapter 9: Readers, Writers and Friends: George Moore and John Eglinton
Michel Brunet

Chapter 10: Celtic Cousins? George Moore’s The Untilled Field and Caradoc Evans’s My PeopleKirsti Bohata

Chapter 11: Moore, Wagnerism, and the Shape of the Later Career
Stoddard Martin

Part Two: Collaboration
Co-authorship, Desire and Conflict: Introduction to the Moore/Craigie Collaboration
Ann Heilmann

The Fool’s Hour: A play by John Oliver Hobbes [Pearl Craigie] and George Moore
edited byAnn Heilmann

Journeys End in Lovers Meeting: Manuscript by George Moore
edited and introduced by Mark Llewellyn

Reviews

The work of George Moore (1852-1933) has received revived attention in recent years, and there have been many reconsiderations of the importance of Moore’s diverse body of work. Heilmann and Llewellyn have previously played a part in this revival, having coedited The Collected Short Stories of George Moore (5v, 2007). The essays in the present volume reconsider Moore's collaborations with and impact on his literary and artistic contemporaries. Part 1, 'Influence,' offers new readings of his various interactions with writers and artists in France, Ireland, and Wales and England, locating Moore at the center of important cultural encounters and debates. Essays explore his art criticism, his literary self-fashioning, his interest in music, and his understanding of gossip as a form of art. Three chapters consider his various depictions of women and their relationship to similar figures in new woman fiction. In part 2, 'Collaboration,' the editors examine Moore's partnerships with other authors, especially Pearl Craigie, and provide annotated transcripts of two coauthored plays. This collection will help to raise awareness of Moore’s largely unrecognized contributions to the cultural movements of the fin de siècle. Summing Up: Recommended. Upper-division undergraduates and above.
— Choice Reviews

[T]he essays in this latest collection navigate . . . [Moore's] contradictory character . . . singularly well. . . .[I]t is certainly work such as this that will turn the recent enthusiasm for "Moore studies" into a more long-term change of heart towards Moore, allowing genuinely new and exciting insights into his creative processes.

— The Cambridge Quarterly

Ann Heilmann’s and Mark Llewellyn’s edited collection,George Moore: Influence and Collaboration, joins a growing body of work on this hitherto slighted author. As the editors point out in their very good introduction, several books dedicated to the author have appeared.... Moore “remains marginal to literary histories of the era,” but this collection gives Moore a strong push towards the center.
— Victorian Studies

George Moore was a central figure in turn-of-the-century British literature because he was involved in and influenced so many different movements. Ironically, this is why he remains difficult for many to assess. George Moore: Influence and Collaboration brings together experts on Moore that offer a range of discussions that coherently addresses his varied influence on writers and artists of the era. This is a very fine collection of essays of keen interest not only to readers of Moore but also those
interested in the Transition age at large.

— Professor Robert Langenfeld, Editor, English Literature in Transition, 1880–1920

George Moore

Influence and Collaboration

Edited by Ann Heilmann and Mark Llewellyn

George Moore

Influence and Collaboration

ALSO AVAILABLE