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Figurations of France

Literary Nation-Building in Times of Crisis (1550-1650)

Marcus Keller

In Figurations of France: Literary Nation-Building in Times of Crisis (1550-1650), Marcus Keller explores the often indirect and subtle ways in which key texts of early modern French literature, from Joachim Du Bellay's Défense et illustration de la langue française to Corneille's Le Cid, contribute to the fiction of France as a nation. Through his fresh take on these and other classics, he shows that they not only create the French as an imaginary community but also provide venues for an incisive critique of the political and cultural construct that underpins the modern nation-state.

Current theories of nationhood, in particular the concepts of the nation form and fictive ethnicity (Étienne Balibar), inform the close readings of Du Bellay's Défense, Ronsard's Discours, d'Aubigné's Tragiques, Montaigne's Essays, Malherbe's odes, and Corneille's Le Cid and Horace. They reveal the imaginary power and unifying force of early modern figurations of France that come to bear in this heteregoneous corpus of French literature, with texts ranging from manifesto and epic poem to essay and tragedy. Situating each author and text in their particular historical context, the study suggests that the literary invention of France in the sixteenth and seventeenth centuries is as abundant as it is conceptually innovative: Du Bellay, for example, develops an idea of France by portraying the French language as a pruned and grafted tree while d'Aubigné proposes to think of the French as a nuclear but fatherless family. Blood functions as a highly charged metaphor of nationhood in all texts.

Opening up new perspectives on these canonical works, the focus on literary nation-building also puts them into unexpected and thought-provoking relationships to each other. Figurations of France deliberately crosses the fictive boundary between the sixteenth and the seventeenth centuries and argues that, in terms of imaginary nation-building, the contours that delineate the early modern period and separate it from what we call the modern era quickly begin to dissolve. Ultimately, the book makes the case for early modern literature as a creative and critical discourse, able to nourish and nuance our thinking about the nation as the postmodern nation-state is increasingly called into question by the economical, political, and cultural effects of globalization.
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University Press Copublishing Division / University of Delaware Press
Pages: 312Size: 6 1/2 x 9 1/2
978-1-61149-048-0 • Hardback • April 2011 • $90.00 • (£60.00)
978-1-61149-049-7 • eBook • April 2011 • $89.99 • (£60.00)
Marcus Keller is associate professor of French and comparative literature at the University of Illinois.
Introduction: The (Early) Modern Nation: Figuration, Creation, Critique
Chapter 1: The Language Plant in the Garden of France: Imitation and Nation in
La Deffence et Illustration de la Langue Françoyse
Chapter 2: Mother France and Her Dysfunctional Family: Religious and National Imageries in Ronsard's
Discours and Continuation and in d'Aubigné's Tragiques
Chapter 3: "A Violent and Treacherous Schoolmistress:" Custom and the Nationalization of the Individual in the
Chapter 4: Faith in the Spirit of France: Mythology and the Myth of the Nation in Malherbe's
Chapter 5: Blood Transvaluations and the Limits of Patriotism: Staging Fictive Ethnicity in
Le Cid and Horace
Conclusion: The Open Boundaries of Literary Nation-Building

Though Marcus Keller likewise chooses to begin his exploration of literary nation-building with Du Bellay’s treatise, his objective is happily original. Rather than situate Du Bellay and the Renaissance literary moment in a longer genealogy of French national identity, as so much of the scholarly literature has sought to do, Keller instead proposes to explore the contours and constitutive figurative elements of early modern representations of nationhood….Keller’s book constitutes a stimulating reflection on the multiplicity of ways in which early modern French men of letters imagined and described their national community. It reminds us that we still have a great deal to learn about how early modern societies imagined nationhood, and that Renaissance and Grand siècle writers could be every bit as self-reflective and critical of the nation-form as modern cultural critics.

H-France Review