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Familial Forms Politics and Genealogy in Seventeenth-Century English Literature
978-1-61149-010-7 • Hardback
December 2010 • $85.00 • (£51.95)
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978-1-61149-011-4 • eBook
December 2010 • $84.99 • (£51.95)

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Pages: 308
Size: 6 1/2 x 9 1/2
By Erin Murphy
 
Literary Criticism | European / English, Irish, Scottish, Welsh
University Press Copublishing Division | University of Delaware
Familial Forms is the first full-length study to examine how literary writers engaged the politics of genealogy that helped define the "century of revolution." By demonstrating how conflicts over the family-state analogy intersected with the period's battles over succession, including: the ascent of James I, the execution of Charles I, disputes over the terms of the Interregnum government, the Restoration of Charles II, the Exclusion Crisis, the deposition of James II, the ascent of William and Mary, and Anne's failure to produce a surviving heir, this study provides a new map of the seventeenth-century politics of family in England. Beginning with a reconsideration of Jacobean patriarchalism, Familial Forms focuses on the work of John Milton, Lucy Hutchinson, John Dryden, and Mary Astell. From their contrasting political and gendered positions, these authors contemplated and contested the relevance of marriage and kinship to government. Their writing illuminates two crucial elements of England's conflicts. First, the formal qualities of poems and prose tracts reveal that not only was there a competition among different versions of the family-state analogy, but also a competition over its very status as an analogy. Second, through their negotiations of linear and nonlinear forms, Milton, Hutchinson, Dryden, and Astell demonstrate the centrality of temporality to the period's political battles.
Through close textual analysis of poetry, political tracts, parliamentary records, and nonliterary genealogies, Familial Forms offers a fresh understanding of the seventeenth-century politics of genealogy. It also provides new answers to long-standing critical questions about the poetic form of canonical works, such as Paradise Lost and Absalom and Achitophel, and illuminates the political significance of newly-canonical works by women writers, including Aemilia Lanyer's Salve Deus Rex Judaeoreum, Hutchinson's Order and Disorder, and Astell's A Serious Proposal to the Lad
Erin Murphy is assistant professor of English at Boston University.
Chapter 1 Introduction: Familial Forms
Part 2 Part I: Assessing the Politics of Genealogy
Chapter 3 Chapter 1: The Jesuit, the King, and a Lady: Form and Jacobean Patriarchalism
Part 4 Part II: John Milton's Family Politics from Charles I to Charles II
Chapter 5 Chapter 2: Denying Patricide, Defining the Domestic
Chapter 6 Chapter 3: Copulating with the Mother:Paradise Lost and the Politics of Begetting
Chapter 7 Chapter 4: Milton's "Birth Abortive": Remaking Family at the End of Paradise Lost
Part 8 Part III: Chasing Shadows: Reproductive Time in the Exclusion Crisis
Chapter 9 Chapter 5: Haunted Times
Chapter 10 Chapter 6: Cheating "Death's Vast Jaws": The Troubled Promise of Reproduction in Lucy Hutchinson's Order and Disorder
Chapter 11 Chapter 7: "In His Son Renew'd": Resisting Reproduction in John Dryden's Absalom and Achitophel
Part 12 Part IV: Beyond the Family-State Analogy: Reconsidering Genealogy
13 Chapter 8: A World "without Father of Mother": Mary Astell's A Serious Proposal to the Ladies
14 Conclusion
A vibrant, circuitous intellectual history of textual representations of lineage.
Scriblerian


 
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