University Press Copublishing Division / Bucknell University Press
Pages: 318
Trim: 6½ x 9⅜
978-1-61148-866-1 • Hardback • December 2017 • $136.00 • (£105.00)
978-1-61148-867-8 • eBook • December 2017 • $129.00 • (£99.00)
Michael Kramp is associate professor of English at Lehigh University.
Acknowledgements
List of Abbreviations
Introduction: Austen and Masculinity by Michael Kramp
Part I: Men, Domesticity, and the Family
Chapter 1: Sketches of Men’s Kvetches: Domestic Masculinities in Emma and Persuasion
by Jane Fergus
Chapter 2: Failures of the Patriarchy: Fathers as Role Models in Jane Austen by Kit Kincade
Chapter 3: The Paradox of Masculine Agency in Jane Austen’s Early Works by Joanne Wilkes
Part 11: Masculinity, Honor, and Feeling
Chapter 4: ’I could meet him in no other way’: Dueling, the Culture of Honor, and Modern Masculinity in Sense and Sensibilityby Megan Woodworth
Chapter 5: The Sensibility of Captain Benwick in Literary and Historical Context by Natasha Duquette
Chapter 6: ’Till he began to stagger her’: Melancholia and Literary Men by Enit K. Steiner
Part III: Male Sexualities and Desires
Chapter 7: Empire of the Sensible: Disciplining Love and the 1990’s Austen Craze by Carol Siegel and Bryce Campbell
Chapter 8: Austen’s Dandies: Frank Churchill and Henry Crawford Play Dress Up by Zachary Snider
Part IV: The Men of Austen’s Afterlives
Chapter 9: Waltzing with Wellington, Biting with Byron: Heroes in Austen’s Tribute Texts by Lisa Hopkins
Chapter 10: ‘What a man should be’: (Re-)Imaginign Austenian Masculinity in Film and YouTube Fanvids by R.A. White
Chapter 11: Virginia Woolf & the Gentlemen Janeites, or the Origins of Modern Austen Criticism, 1870-1929 by Jason Solinger
Part V: Film Music and Masculinity
Chapter 12: Performing to Strangers: Masculinity, Adaptation, and Music in Pride and Prejudiceby Gayle Magee
Chapter 13: Austen, Music, and Manhood by Linda Zionkowski and Miriam Hart
Bibliography
Index
About the Contributors
Kramp’s introduction to this new book provides a comprehensive, helpful overview both of the emergence of masculinity studies as a field and also of existing scholarship on Austen’s depictions of men.
— European Romantic Review
The essays brought together here provide a suitably kaleidoscopic view of maleness, both in Austen’s own works and in the reformulations and extensions of those works critically, cinematically, and fictionally. . . . As a whole. . . this book provides thoughtful variety in its views of men and masculinity associated with Austen’s novels, all the richer for its broader considerations of contexts and aftereffects of Austen’s men.
— Eighteenth Century Intelligencer