University Press Copublishing Division / Bucknell University Press
Pages: 334
Trim: 6¼ x 9¼
978-1-61148-515-8 • Hardback • September 2013 • $133.00 • (£102.00)
978-1-61148-690-2 • Paperback • April 2015 • $62.99 • (£48.00)
978-1-61148-516-5 • eBook • September 2013 • $59.50 • (£46.00)
Scott M. DeVries is associate professor of Spanish at Bethel College, Indiana. He is the author of a variety of articles on Spanish American literature and film whose work has appeared in Hispania, Ecozon@: European Journal of Literature, Culture, and Environment, and the Christian Scholar's Review.
Acknowledgments
Introduction
Part One: Foundations, Aesthetics, Ecology
One: Foundations of Environment: Literary Political Ecologies of 19th Century Southern Cone Literature
Two: Foundations from Topography: Literary Political Ecologies of 19th Century Andean, Amazonian, Caribbean, and Central American Literature
Three: Green Modernism
Part Two: Land, People, Ecology
Four: Swallowed: Environmentalism in the Spanish American novela de la selva
Five: Other Lands: Ecology in the Spanish American novela de la tierra
Six: Ruin: The Precedents of Ecological Destruction in Early and Canonical indigenista Novels
Seven: Indigenous Land: Place, then Space
Part Three: Literature, Environmentalism, Ecology
Eight: Nature after the “Boom”: Ecology and Environmentalism in Late 20th Century Spanish American Fiction
Nine: Eco-Satire: Green Humor, Contaminated Imagery, and Environmental Language in Recent Spanish American Fiction
Ten: Paradise Trashed: Utopian and Dystopian Ecological Scenarios in Gioconda Belli’s Waslala and Fernando Raga’s Gaia Trilogy
Conclusions
Bibliography
Index
About the Author
[R]eaders will find that DeVries possesses a thorough understanding of ecological criticism and environmentalism, exemplified by the book's introduction, where he establishes the theoretical framework for his study. For the benefit of those readers who do not have advanced proficiency in reading Spanish he provides an English translation of all Spanish quotations, including definitions of commonly employed Spanish American cultural and literary terminology. Readers who are unacquainted with Spanish American literature, beyond internationally known giants such as Gabriel García Márquez, Mario Vargas Llosa, or Pablo Neruda, will appreciate the sweeping scope of the author's work. DeVries has managed to deal in a cohesive fashion with a two-hundred year period—the post-independence literary production of the nineteen countries of the western hemisphere in which Spanish is an official language—unfolding 'the tradition of an ecological literature from Mexico to Patagonia and from Puerto Rico to Easter Island'. Those who are already familiar with Spanish American literature will value his insights into ecocriticism as well as his examination of the canon from a fresh perspective. As is the case with most groundbreaking studies, DeVries's work suggests myriad possibilities for future scholarship.
— ISLE: Interdisciplinary Studies in Literature and Environment