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Rococo Fiction in France, 1600 - 1715

Seditious Frivolity

Allison Stedman

Rococo Fiction in France reconfigures the history of the “long eighteenth century” by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo’s evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, 80s, and 90s, Allison Stedman unearths the seventeenth century rococo’s counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment.

The first part of the study investigates the relationship between Montaigne’s philosophy of literary production and those of early seventeenth century “table-talk” novelists, libertine writers, and playwrights involved in the quarrel over Corneille’s play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier’s literary portrait galleries, Jean Donneau de Visé’s periodical the Mercure Galant, and other forms of rococo literary production – by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Préchac – had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies– in such late seventeenth-century women writers as d’Aulnoy, Lhéritier, Murat, and Durand – in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.

University Press Copublishing Division / Bucknell University Press

Pages: 258 •

978-1-61148-437-3 • eBook • October 2012 • $57.00 • (£44.00)

Series: Transits: Literature, Thought & Culture, 1650–1850

Subjects: Literary Criticism / European / French, History / Modern / 17th Century

Rococo Fiction in France, 1600 - 1715

Seditious Frivolity

eBook

Summary

Rococo Fiction in France reconfigures the history of the “long eighteenth century” by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo’s evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, 80s, and 90s, Allison Stedman unearths the seventeenth century rococo’s counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment.

The first part of the study investigates the relationship between Montaigne’s philosophy of literary production and those of early seventeenth century “table-talk” novelists, libertine writers, and playwrights involved in the quarrel over Corneille’s play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier’s literary portrait galleries, Jean Donneau de Visé’s periodical the Mercure Galant, and other forms of rococo literary production – by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Préchac – had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies– in such late seventeenth-century women writers as d’Aulnoy, Lhéritier, Murat, and Durand – in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.

Details

University Press Copublishing Division / Bucknell University Press

Pages: 258 •

978-1-61148-437-3 • eBook • October 2012 • $57.00 • (£44.00)

Series: Transits: Literature, Thought & Culture, 1650–1850

Subjects: Literary Criticism / European / French, History / Modern / 17th Century

Author

Allison Stedman is associate professor of French at the University of North Carolina, Charlotte. She has published articles on early modern French literary portraits, psalm paraphrases, novels, and fairy tales, as well as on pedagogical strategies for teaching French and Italian literature and culture at the university level. With Perry Gethner, she is the co-editor and translator of A Trip tothe Country by Henriette-Julie de Castelnau,Comtesse de Murat.

Table of Contents

Acknowledgments
A Note on Translations
Introduction
Chapter One – “Innovation in Early Seventeenth-Century France”
Chapter Two – “The Origins of the Rococo”
Chapter Three – “The Rococo and the Transfiguration of the Old-Regime Social Sphere”
Chapter Four – “The Rococo and the Transfiguration of the Salon”
Conclusion
Bibliography
Index

Reviews

In this compelling, well-documented study of experimental texts written from the beginning of the 17th century to the end of the reign of Louis XIV, Stedman (Univ. of North Carolina) argues for re-periodization of the rococo and reaffirmation of its fundamental values of nonconformity and tolerance. She posits that the relationship of the rococo with the classical-baroque is dialectic rather than sequential and that its origins lie not in the plastic arts and Versailles but rather in hybrid literary productions from social constructs as diverse as salons, convents, prisons, and print shops. This fascinating approach sheds light on authors such as Montaigne, Corneille, de Visé, d'Aulnoy, Lhéritier, Murat, and Durand, whose eagerness to experiment opened new frontiers, encouraged readers t o take pleasure in generically heterogeneous literary creations, and ultimately led to the most important intellectual and political currents of the Enlightenment. By focusing on innovative publishing strategies and texts celebrating individual creativity rather than absolutist values, the author reinvigorates the field of early modern studies. Her perceptive analysis of the rococo as a 17th-century phenomenon that celebrated freedom in an era of growing authoritarianism invites scholars today to adopt the same independent spirit in their approach to other areas of history and literature. Summing Up: Highly recommended. Lower-division undergraduates and above
— Choice Reviews

This thought- provoking study aims to rehabilitate a branch of French prose writing that has been traditionally overlooked or treated with disdain. . . .By showing that the rococo coexisted with classicisme, maintaining a dialectical relationship to the cultural mainstream rather than simply coming to prominence in the following century, she sheds new light on the process whereby new ways of thinking gradually emerged and won acceptance.
— French Forum

Rococo Fiction in France, 1600 - 1715

Seditious Frivolity

Allison Stedman

Rococo Fiction in France, 1600 - 1715

Seditious Frivolity

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