University Press Copublishing Division / Bucknell University Press
Pages: 200
Trim: 6⅜ x 9½
978-1-61148-028-3 • Hardback • December 2010 • $105.00 • (£81.00)
978-1-61148-029-0 • eBook • December 2010 • $99.50 • (£77.00)
Brian Tucker is assistant professor of German at Wabash College in Indiana.
Chapter 1 Acknowledgments
Chapter 2 Note on Translations and Abbreviations
Chapter 3 Introduction
Part 4 I. Riddle and Obscurity in Early Romanticism
Chapter 5 Chapter 1: From Irritant to Ideal: The Transvaluation of Riddle
Chapter 6 Chapter 2: The Closed Circle of Criticism
Chapter 7 Chapter 3: Alethic Aesthetics: Hegel's Riddle of the Symbol
Chapter 8 Chapter 4: Wordplay and Identity in Tieck's Early Prose
Part 9 II. Reading the Psyche: The Human Riddle
Chapter 10 Chapter 5: The Inaugural Gesture of Psychoanalysis
Chapter 11 Chapter 6: The Joke and Its Other: Toward a Freudian Concept of Riddle
Chapter 12 Chapter 7: The Riddle as Freud's Textual Model
Chapter 13 Chapter 8: Trauma and the Other Oedipus Complex
Chapter 14 Notes
Chapter 15 Bibliography
Chapter 16 Index
In this cogent contribution to scholarship, Tucker argues for a connection between Romanticism and psychoanalysis "at the level of formal and methodological principles, in a shared notion of how poetic language operates." The author observes that in German Romanticism the riddle—understood as a "figure for the processes of writing and reading"—emerges as a key figure for a modern poetics that "privileges obscurity, difficulty, and interrupted communication." He develops this idea in discussions of comprehensibility/incomprehensibility and the function of criticism between August Wilhelm and Friedrich Schlegel, Hegel's conception of the symbol, and the deployment of riddle structures in Ludwig Tieck's "Blond Eckbert" and William Lowell. Tucker then takes up Freud's work on jokes and dream work to show that the riddle provides a model for Freud's interpretative practices; he offers a plausible path of intellectual transmission of this model from the Romantics. Freud, then, becomes his own Oedipal figure: a man who strives to solve the riddle of the human psyche. Tucker's focus on the riddle is a new and productive approach to the material; it merits attention. Recommended. Upper-division undergraduates, graduate students, researchers/faculty.
— July 2011; Choice Reviews
The author manages to do justice to both Romanticism and psychoanalysis on their own terms, displaying a remarkable sensitivity both to rhetorical complexity and historical specificity....What might seem conservative to some -- precisely those techniques that assist in the "close reading" of texts -- is made novel and exciting in the course of Tucker's investigation.
— Monatshefte