University Press Copublishing Division / Fairleigh Dickinson University Press
Pages: 200
Trim: 6 x 9
978-1-61147-843-3 • Hardback • September 2015 • $91.00 • (£70.00)
978-1-61147-845-7 • Paperback • March 2017 • $49.99 • (£38.00)
978-1-61147-844-0 • eBook • September 2015 • $47.50 • (£37.00)
Cary M. Mazer is associate professor of theatre arts and English at the University of Pennsylvania, where for many years he chaired the undergraduate Theatre Arts Program. He is author of Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages and editor of volume 15 of Great Shakespeareans: Poel, Granville Barker, Guthrie, Wanamaker.
Acknowledgments
List of Illustrations
Introduction: The Anxiety of Identity
Part One: Doubleness
Chapter One: Double Selves
Chapter Two: Undoubling and Redoubling
Chapter Three: Double Bodies
Part Two: Double Narratives
Chapter Four: Double Fictions
Chapter Five: Double Memoirs
Part Three: Double Plays
Chapter Six: Frames
Chapter Seven: Three Scripts, Three Productions, Six Plays
“Wounds Invisible”: An Epilogue
Bibliography
Index
About the Author
How to achieve emotional truth on stage is a persistent, complicated issue in actor training; how audiences recognize such truth through the innate doubleness of performance—that is, inescapable awareness of both actor and character—is similarly complicated. Bringing to bear his scholarship on Shakespeare and his experience as a director and dramaturg, Mazer tackles multiple aspects of double awareness with a view to conveying the emotional realism of 16th-century characters for often-jaded contemporary theatergoers. He examines historical theories of acting and modern concepts of cross-gendered, cross-racial, and multifaceted representation, grounding his discussion in a wealth of examples from Shakespeare plays and productions. Mazer’s wide-ranging allusions are most telling when he describes Shakespeare on stage. . . .The chapters on rehearsal journals and actor memoirs and on the fad for 'framed' productions of Shakespeare bring lucid insights. Seven production photos and chapter endnotes enhance the volume. Summing Up: Recommended. Lower-division undergraduates through faculty and professionals; general readers.
— Choice Reviews
Cary Mazer’s book argues that, for more than a century, techniques of emotional realism have inexorably influenced the way actors on both sides of the Atlantic have approached Shakespearean acting, and the ways audiences have received it. As such, this phenomenon is worth examining, which Mazer does in this insightful book.... Mazer brings the important voice of a scholar-practitioner to the subject: insights gleaned from his own work in the theatre spur some of the book’s best arguments.... The book’s key insight...is that empathy—the ability for characters and actors and audiences to understand each other—is paramount to successful Shakespearean theatre, and that such empathy is the link between early modern scripts and contemporary performance. That he comes to this insight through experience is in and of itself an important revelation of this thought-provoking book on the practices of today’s Shakespearean theatre.
— Theatre Survey
Mazer's applause for Declan Donellan's approach...encapsulates the book's project.... Mazer pursues this and related ideas through an impressive and stimulating range of examples.
— Shakespeare Survey